According to tradition, the Korean potter
Yi Sam-pyeong (d. 1655), or
Kanagae Sanbee (), is often considered the father of Arita ware porcelain. This narrative is however disputed by many historians. He is nevertheless honoured in
Sueyama Shrine as the founder. The first porcelain made in Japan followed the discovery of porcelain clay near Arita near the end of the 16th century. A number of kilns opened up in the area, and a considerable variety of styles were made, the Japanese export porcelain destined for Europe often using Western shapes and Chinese decoration. Early wares used
underglaze blue decoration, but by the mid-17th century Arita was in the forefront as Japan developed overglaze "enamelled" decoration in a range of bright colours. Between the second half of the 17th century and the first half of the 18th century they were extensively exported to Europe, travelling initially from Arita's port of
Imari, Saga to the
Dutch East India Company's outpost at
Nagasaki. The type called
kin-rande was especially popular and is therefore known in the West also as . This typically is decorated in
underglaze blue, then with red, gold, black for outlines, and sometimes other colours, added in
overglaze. In the most characteristic floral designs most of the surface is coloured, with "a tendency to overdecoration that leads to fussiness". The style was so successful that Chinese and European producers began to copy it.
Nabeshima ware was an Arita product, with overglaze decoration of a very high quality, produced for the Nabeshima Lords of the
Saga Domain from the late 17th century into the 19th, with the first half of the 18th century considered the finest period. It was never exported at the time.
Kakiemon is a term that generates further confusion, being the name of a family, one or more kilns, and a brightly-coloured overglaze style broadly imitating Chinese wares. The style originated with the family, whose kilns were the main producers of it, but other kilns also made it, and the Kakiemon kilns made other styles. It was also widely imitated in Europe, and sometimes in China. Evidence from modern excavation of kiln-sites shows that much of the
Kutani ware, supposedly from
Honshu island, was in fact made around Arita. This was largely made for export to southeast Asian markets. The kilns in Arita also produced plain white
Hakuji porcelain, often imitating the Chinese equivalent
Dehua porcelain. One of the patterns used is with the depiction of Chinese children playing. == Contemporary Arita ware ceramists ==