The museum holds temporary annual exhibitions– usually thematic or artist-specific– to "safeguard Denmark's cultural heritage." Each exhibition presented notable international artists, exploring the notions of "the good life" in large-scale installations. The exhibition consisted of two parts:
Utopia Revisted and
Utopian Positions, incorporating solo shows by
Qiu Anxiong,
Katharina Grosse, and
Olafur Eliasson to showcase "the reformulations of utopia in contemporary art."
India: Art Now Held between 18 August 2012 to 13 January 2013,
India: Art Now was the biggest in Arken's history. It comprised Indian
installation art by 13 artists and artist groups with themes of "The Urban Space", "Identity and Everyday Life" and "Self-articulation." The museum displayed large-scale installation of
saris, artistic replications of street vendors and high-tech shadow plays.
Van Gogh An exhibition held on 1 September 2018, holding 39 works by
Vincent van Gogh. It was the first exhibition in over fifty years dedicated to van Gogh's paintings and drawing in Denmark. The exhibition was in collaboration with
Kröller-Müller Museum, exclusively focusing on humanity, religion and nature as thematic retrospect on Van Gogh's art.
Young Danish Art: Forecasting the Future Young Danish Art: Forecasting the Future was an exhibition from 17 August 2019 to 15 March 2020 comprising an array of sculptures, installations, animated films and structures featuring political and cultural changes in contemporary art. The exhibition presented overarching themes of "work culture, belonging and climate crisis."
Frederik Næblerød - All Walks of Life In 2025, the museum presented the most comprehensive exhibition to date dedicated to
Frederik Næblerød’s practice. The exhibition attracted a record audience, resulting in a 40 percent increase in museum attendance. Spanning seven galleries, it included ceramics, paintings, bronze sculptures, and a large collage wall with photographs by Frederik Clement, who documented the artist’s life and work over a three-year period. During the exhibition,
Næblerød moved his studio into the museum, allowing visitors to observe his creative process. One gallery featured a reconstruction of his total installation
My Friend the Wind—a beach house first realized in 2015—rebuilt from recycled materials as the final installation of the exhibition. ==See also==