The term “bootblack”, meaning “one who shines shoes”, was first used in 1817, according to
Merriam-Webster. The less common version "shoeblack" has been traced to 1751. Both probably stem from the term "blacking", a precursor of modern
shoe polish containing
lampblack, which was used to care for English soldiers' boots in the 18th and 19th centuries. While the trade of
shoe shining has been around at least since the age of the
Industrial Revolution, the origins of bootblacking within the leather community remain unclear. Possible points of reference are military traditions of
polishing boots, as well as shoeshine stands in public spaces, which could be found in many cities in Europe and the US before World War II. The first documented case of shoe shining in a fetish context can be found in the diaries of
Hannah Cullwick (1833 – 1909). Cullwick meticulously recorded the number of boots she cleaned on a monthly and yearly basis: For example, on Tuesday, July 31, 1860, she noted: “This is the last day of July. I have cleaned 83 pairs of boots.” Both in her own diary and in a poem by Arthur Munby, Hannah Cullwick is referred to several times as a "shoeblack". She once told her lover
Arthur Munby that she could tell where he had been by how his boots tasted: Bootblack stands as well as bootblacks operating in leather bars have been documented in the US since the 1970s. These included the
Gold Coast in Chicago and the
Ramrod in New York City. In later years, more bars adopted the custom, among others the AA Meat Market, and the
D.C. Eagle. The Eagle in Chicago proved to be influential for international contests, as several future producers and titleholders (Harry Shattuck, IMrBB 1994 William Shields Jr., IMsBB 1999 Leslie Anderson) bootblacked there. The
Leather Archives & Museum keeps multiple objects relating to bootblacks in its collection, including several bootblack titleholder vests, IMBB 2000 David Hawk's bootblacking chair, IMBB 1994 William Shields, Jr.'s bootblacking kit and vest, and a bootblacking chair that was used by IMrBB 1994 ‘Daddy’ William Shields Jr. in gay bars in Chicago, Boston, Providence and New York City between the 1990s and 2000s, and since 2014 is part of the museum's permanent exhibitions. == Public bootblacking ==