When Mrs Cradock visited the premises, she insisted on the fact that the wallpapers perfectly imitated flowers (obviously, considering that one of the painters working for Arthur et Grenard was
Joseph-Laurent Malaine), lanterns, etc., so much so that "you have to touch them to convince yourself of the reality". As for the subjects, she mentions "fabrics embroidered with flowers", "sculptural subjects", a sky in a wooden frame, more frames seemingly made of glass. According to Henri Clouzot, Robert printed plain velvety papers and "arabesques of flowers, landscapes, architectural motifs, busts, antique vases, bas-reliefs imitating bronze and marble, allegorical figures of natural size, imitations of sculptures". Grand Carteret notes in particular "a complete decoration in
grisaille, with overdoors, printed panels, architectural ornaments" representing mythological scenes ("Apollo and Daphne after Van Loo, Pygmalion and his statue, Orpheus charming the beasts, the Sacrifice of Iphigénie after
Delafosse, the Offering to Pan, Pyramus and Thisbe"). ==Iconography==