In
professional wrestling, the person that has ultimate creative control is almost always the
promoter, who is responsible for advertising and putting together matches in which wrestlers perform, or the
booker, who is responsible for scripting the promotion's storylines; often, they are the same person or both part of a management committee. The most notable case of a wrestler who was known to have had complete contractual creative control over the storylines he was involved in is
Hulk Hogan, whose 1998 contract with
World Championship Wrestling (WCW) stipulated that he had "approval over the outcome of all wrestling matches in which he appears, wrestles and performs". Hogan's contractual control over his WCW storylines led to him walking out of – and eventually suing – the promotion in 2000, after he, former WCW president
Eric Bischoff, and WCW head writer
Vince Russo could not come to an agreement over the manner in which he would defeat
Jeff Jarrett for the
WCW World Heavyweight Championship at
Bash at the Beach; after Hogan won the title, Russo appeared at ringside and lambasted Hogan, stripping him of the title and effectively firing him from the promotion. Hogan was also believed to have exercised creative control during his 2005–06 tenure in
WWE and his 2009–13 tenure in
Total Nonstop Action Wrestling. Despite social media sentiment about various headlining wrestlers – most notably
Mercedes Moné in
All Elite Wrestling and
Becky Lynch and
Rhea Ripley in WWE – no wrestler is currently believed to have creative
control, although most wrestlers are afforded input during the creative process as a matter of course. ==See also==