In 1911, Schomburg co-founded with
John Edward Bruce the
Negro Society for Historical Research, to create an institute to support scholarly efforts. For the first time, it brought together African, West Indian, and Afro-American scholars. In 1914, Schomburg joined the exclusive
American Negro Academy, becoming, from 1920 to 1928, the fifth and last President of the organization. Founded in Washington, D.C., in 1897, this first major African American learned society brought together scholars, editors, and activists to refute racist scholarship, promote Black claims to individual, social, and political equality, and publish the history and sociology of African American life. This was a period of the founding of societies to encourage scholarship in African-American history. In 1915, Dr.
Carter G. Woodson co-founded the
Association for the Study of Negro Life and History (now called the
Association for the Study of African American Life and History) and began publishing the
Journal of Negro History. Schomburg became involved in the
Harlem Renaissance movement, which spread to other African-American communities in the U.S. The concentration of Black people in Harlem from across the US and Caribbean led to a flowering of arts, as well as intellectual and political movements. Schomburg co-edited the 1912 edition of
Daniel Alexander Payne Murray's
Encyclopedia of the Colored Race. He later became disillusioned with the Harlem Renaissance, because he felt that there were no more revolutionaries within it. He told anthologist Nancy Cunard that she should "not expect to find anything revolutionary or critical in these subjected fellows' writings.... [T]hey have been bought and paid for by white people". In 1916 Schomburg published the first notable bibliography of African-American poetry,
A Bibliographical Checklist of American Negro Poetry. In March 1925 Schomburg published his essay "The Negro Digs Up His Past" in an issue of
Survey Graphic devoted to the intellectual life of Harlem. It had widespread distribution and influence. In "The Negro Digs Up His Past," Schomburg was trying to lay the groundwork for an intellectual refutation of racism. The autodidact historian
John Henrik Clarke told of being so inspired by the essay that at the age of 17 he left home in
Columbus, Georgia, to seek out Mr. Schomburg to further his studies in African history.
Alain Locke included the essay in his edited collection
The New Negro. In March 1926, Schomburg visited Spain. "His mission was to research and explore centuries of Black life in Europe, including that of the painter
Juan de Pareja. A notable artist in his own right, Pareja was an enslaved studio assistant to famed Spanish painter
Diego Velázquez". The
Metropolitan Museum of Art stated, "Schomburg was vital to the recovery of Pareja’s work". ==The Schomburg Collection of Negro Literature and Art==