Wolffort and his work were not well known until the late 1970s and some of his paintings were even classified as early works by
Rubens. His oeuvre was reconstructed from a fully signed work (''Esther's Toilet in the Harem of Ahasuerus'', original untraced, 10 copies of which one fully signed in the
Victoria and Albert Museum in London) and various paintings bearing a monogram. His early works were in the classizing style of Otto van Veen. Wolffort regularly used themes and motifs of van Veen in these early works, which were executed in a proto-Baroque style. This is obvious in the work
Christ in the house of Simon the Pharisee (one version auctioned at Sotheby's 4 November 2009, London, lot 56, one version in the church of St. Martin, Bergues, and another in the
New Gallery (Kassel) (now considered a copy)), which was originally considered a work by van Veen. The composition itself is loosely based on Rubens' work of the same subject in the
Hermitage Museum, Saint Petersburg, but reversed. A more dynamic Baroque style influenced by Rubens arose after 1630. ==References==