Atmanimajjan

|upright=0.8 In 1876, when Manilal passed his matriculation exam, he published a collection of 101 poems, Shikshashatak, written in a moralistic tone. It was dedicated to fellow poet Balashankar Kantharia (Klant). In 1887, Manilal published a collection of 11 poems under the title Premajivan (Life of Love), with a commentary written by himself. Seven years later, he published another set of 11 poems under the title Abhedormi (Ecstasy of Oneness). Manilal also published Atmanimajjan (Drowning in the Self), consisting of 40 poems composed prior to the end of June 1895. They included 22 poems from Premajivan and Abhedormi, 15 from Mishra-dhvani, two entitled "Javanika", and one entitled "Upahar" (Gift). Manilal died in 1898. In 1914, his younger brother, Madhavlal Dwivedi, published the second edition of Atmanimajjan. It included an additional 5 poems composed between 1895 and 1898. In 1959, Gujarati writer Dhirubhai Thaker published the third edition of the book, which included another 10 previously unpublished poems taken from Manilal's handwritten diary. ==Contents==

Manilal's poetic ideal was influenced by his association with Gujarati writer and poet Narmad, and also by his own philosophical outlook and study of English poetry. In his journal Priyamvada (later Sudarshan), Manilal wrote that many of his poems came from his own intense personal experiences. Over the twenty-two years during which he wrote poetry (1876–1898), Manilal tried various poetic forms. Atmanimajjan includes ghazals, songs, and bhajans, in addition to metrical poetic compositions. A majority of Manilal's poems, thirty in number, are songs. Of these, according to Dhirubhai Thaker, "Gagane aaj premni zalak chhai re" (Glimpses of love cover the sky today), "Drig ras bhar more dil chhai rahi" (Lovely eyes pervade my heart), "Udi ja tu gafel gabhara" (Fly away, you gullible weakling!), "Sachi Balam priti na bane" (Oh my dear, true love is impossible), "Prit Vashkarni Vidya janjo" (Know it for certain, love is a hypnotic science), and "Ame Veragi Veragi janamna veragi" (We are ascetics, ascetics, ascetics since birth) are excellent expressions of Advaita philosophy. ==Commentary==

Manilal was an exponent of Advaita philosophy, which he aimed to disseminate through his poetry. For this purpose, he appended a lengthy commentary to each poem, in which he attempted to interpret worldly experiences in terms of Advaita philosophy. Manilal used the poetic form of the ghazal, for example, to convey physical love using the romantic terminology of Sufism. For Thaker, reading the ghazals alone, without the commentary, allows the reader "[to feel] in them the deep anguish, intensity and thrill of romantic love." Thaker describes the commentaries interpreting these ghazals in terms of Vedanta as far-fetched, and having the unintended consequence of compromising the ghazals' emotional and aesthetic appeal. In Thaker's words, "Manilal, the missionary of Advaita, overshadowed Manilal, the poet. Eventually the delicate structure of the poetry gets crushed under the weight of the philosophy of Vedanta." ==Reception and criticism==

Thaker considers that Manilal's contribution to modern Gujarati poetry lies in the touch of philosophical seriousness he brings to it through Atmanimajjan. He cites the poem "Drig rasabhar" as an excellent example of poetry that transforms subjective feeling into universal experience. Atmanimajjan contains 12 ghazals, The ghazal "Amar Asha" became popular in the Gujarati language. Mahatma Gandhi wrote a review of it while he was in South Africa, and published it in his own magazine, Indian Opinion. The critic Mansukhlal Jhaveri calls "Amar Asha" "a gem of Gujarati poetry". ==References==