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Auraeus Solito

Auraeus Solito, also known as Kanakan-Balintagos, is a Filipino filmmaker and indigenous peoples rights advocate who comes from a lineage of shaman-kings from the Palaw'an tribe. He was one of the first to be born outside of his tribal land of South Palawan. He was born in Manila and, after graduating from the Philippine Science High School, studied theater at the University of the Philippines, where he received a degree in Theater Arts. One of the leading independent filmmakers in the Philippines, he was chosen as part of in Take 100, The Future of Film in 2010. This book, published by Phaidon Press, New York, is a survey featuring 100 emerging film directors from around the world who have been selected by 10 internationally prominent film festival directors.

Filmography
Full features • 2005: Ang Pagdadalaga ni Maximo Oliveros (The Blossoming of Maximo Oliveros) • 2005: Tuli (Circumcision) • 2007: Pisay • 2009: BoY • 2011: Busong (Palawan Fate) • 2012: Baybayin (The Palawan Script) • 2014: Esprit de Corps Full feature documentary • 2002: Basal Banar (The Sacred Ritual of Truth) Short films • 1995: Ang Maikling Buhay ng Apoy, Act 2, Scene 2: Suring at ang Kuk-ok (The Brief Lifespan of Fire, Act 2, Scene 2: Suring and the Kuk-ok) • 1998: Impeng Negro (Black Nuisance) • 2011: 60 Seconds of Solitude in Year Zero (segment) == Reception ==
Reception
The films of Auraeus Solito are extensively discussed in Katrin de Guia's book Kapwa: The Self in the Other, Worldviews and Lifestyles of Filipino Culture-Bearers. Canadian film scholar Adam Szymanski has positioned Kanakan Balintagos' films within the context of Fourth Cinema and emphasized their affinity with Indigenous political movements which are animated by traditional conceptualizations of healing. == References ==
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