Austin M. Purves Jr.

Purves was born on December 31, 1900, in Philadelphia, Pennsylvania, the son of Austin M. Purves Sr., a financier and patron of the arts, and Betsey Preston Coleman Purves. He graduated from the Germantown Friends School in 1918. He wanted to be an artist from early childhood, later studying art at the Pennsylvania Academy of Fine Arts and the Julian Academy in Paris, France. and traveled in Scandinavia, France, and Italy, studying frescos in churches and municipal buildings. He received an award from the Department of Beaux Arts of France and an honorable mention from the Architectural League of New York for frescoes that he painted in a 13th-century church in Montarlot, France. for a year and then found work painting murals for private homes. The 1934 Jubilee Issue of the Cooper Union Yearbook held this dedication: "To Austin Purves Jr., Art Director of The Cooper Union, this Jubilee Issue of The Cable is respectfully dedicated as an appreciation of his distinguished service to the Institution, and with gratitude for his kindly helpfulness in the preparation of this volume." He continued to paint for private customers. He did several illuminations of prayers and painted an alms box for a church in Philadelphia. Purves's parents were friends of Maxfield Parrish and collected his work. Parrish became an artistic mentor to Purves at an early age. A correspondence started between the two artists when Purves was eleven years old and continued until Parrish was ninety. The family moved to East Litchfield, Connecticut, in 1936 as a result of Purves’ friendship with Ernest Howe, a student at Yale School of Art, where Purves taught in the summer during the 1930s. Ernest Howe offered Purves a place to stay in Litchfield during the summer months. Later, Purves purchased a house on Wheeler Road in East Litchfield and built a studio in a converted barn behind his house. He hired young art students to help with large jobs. The house initially had no electricity or central heating. == Work ==

In the 1930s, Purves was commissioned to do architectural paintings for the Folger Shakespeare Library in Washington, DC. for George Washington’s bicentennial celebration. His mural, "The Building of Fort Necessity," measured 22’ x 13’. For the 1939 World's Fair in Flushing, New York, he painted the exterior panels of the Temple of Religion, During that time, the Hartford Circus Fire occurred, from which he later drew paintings for his brother. After the war, he resumed full-time work on various art projects. He created 265 aluminum wall sculptures representing the birds and flowers of all 48 states for the stairwells of the famed luxury passenger liner SS United States, which launched in 1952. Other work for this ship included a large aluminum eagle insignia for the first class grand staircase and an etched glass backdrop in the bar. In later years, he did aluminum bas-reliefs as well as mosaic panels adorned with ancient South American motifs for the Santa Rosa of Grace Lines. His decorative work on the ships SS America, SS United States, and Grace Line ships Santa Rosa and Santa Paula, spanned the years 1939–1959. while working on interior decoration for the SS America. From 1948 to 1955, Purves designed and executed mosaics for the chapel for the American Battle Monument Commission in Draguignan, France, He painted the reredos for St. Paul's Church in Duluth, Minnesota, and another for a Lutheran church in Fort Wayne, Indiana. He painted a mural for Philip Staats' house in Litchfield, and all four walls of Margaret Howe Crapo's dining room in East Litchfield. In the early 1960s, he created a large mosaic work located in the East Apse of the Basilica of the National Shrine of the Immaculate Conception in Washington, D.C. His last commission (1959–1961) was for West Point Academy, where he designed granite spandrels for three buildings and stone sculptures for three additional buildings. == Civic and volunteer contributions ==

Purves acted as Vice President of the Architectural League of New York and was President of the National Society of Mural Painters (1952–1953). He continued his association with the Cooper Union Art School by serving as a member of the Advisory Council, and he served for many years as a Trustee of the Hartford Art School, University of Hartford. He took great interest and pride in the East Litchfield Volunteer Fire Department, which he helped found and build. He served as the East Litchfield Fire Department’s commissioner for many years and designed its logo. He was a director of the Litchfield Chapter of the American Red Cross and a president of the Litchfield Parent-Teacher's Association. == Memorial ==

Austin Purves was a member of the Century Club of New York. One of its members, Goodwin Cooke, wrote of him in the Century Club Association's magazine, Century Memorials, "Much of Austin’s work was religious in nature; he was a scholar in the field of religious art and he was, unostentatiously, a profound Christian. He was in fact a well-rounded gentleman, versed in all branches and periods of painting, an eclectic and retentive reader, and had he not been a painter might well have become a musician. He was never stuffy, or bashful and indeed he cultivated a charming informality of manner. He was a delightful talker and he loved to listen as well-particularly to the young, with whom he had an engaging way and whom he never talked down to or patronized. His studio in East Litchfield was a center for a great number of aspiring painters and mosaicists." He died on March 15, 1977, in Litchfield, Connecticut, where he and his wife, Ellen Wood Purves had made their home for 40 years and raised their children, Joan, Ellen, and Oliver. ==See also==