MarketAvenir (typeface)
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Avenir (typeface)

Avenir is a geometric sans-serif typeface designed by Adrian Frutiger in 1987 and released in 1988 by Linotype GmbH.

Releases
Avenir was originally released in 1988 with three weights, each with a roman and an oblique version, and used Frutiger's two-digit weight and width convention for names: 45 (book), 46 (book oblique), 55 (text weight), 56 (text weight oblique), (75)85 (heavy), and (76)86 (heavy oblique). The typeface family was later expanded to six weights, each with a roman and an oblique version. The original release of Avenir has weights grouped very close together, with the difference barely distinguishable. In his autobiography, Frutiger explains that this was a response to the effects of how people perceive colour. He intended the slightly bolder designs for white-on-black text, so they would look the same to a viewer as black-on-white. Avenir Next Between 2004 and 2007, together with Linotype's in-house type designer Akira Kobayashi, Frutiger reworked the Avenir family to expand the range of weights and features. The result was titled Avenir Next. The initial release of the typeface family was increased to 24 fonts: six weights, each with a roman and italic version, in two widths (normal and condensed). Frutiger's numbering system was abandoned in favor of more conventional weight names. The glyph set was expanded to include small caps, text figures, subscript and superscripts, and ligatures. Two extra font weights (light and thin) were added to the font for the release of Avenir Next W1G, for a total of 32 fonts. This release also added Greek and Cyrillic glyphs in the regular width only. The current set of weights is therefore ultra light, thin, light, regular, medium, demi bold, bold and heavy, in four styles each (two widths and italics for each width). From 2012 onwards, Avenir achieved increased visibility through becoming bundled with iOS and macOS (from the Mountain Lion release onwards) as a system font in several weights of both Avenir and Avenir Next. Janna Janna is an Arabic variant designed by Nadine Chahine, based on the original Avenir. Janna (), which means "heaven" in Arabic, was first designed in 2004 as a signage face for the American University of Beirut. The Arabic glyphs are based on the previously released Frutiger Arabic, but were made more angular. Two roman fonts, in regular and bold weights, were produced. The typeface supports ISO Adobe 2, Latin Extended, Arabic, Persian, and Urdu characters, and tabular numerals for the supported languages. Avenir Next Rounded (2012) Avenir Next Rounded is a version of Avenir Next with rounded terminals, designed by Akira Kobayashi and Sandra Winter. The family includes 8 fonts in 4 weights (regular, medium, demi, and bold) and 1 width (based on normal width), with complementary italics. OpenType features include numerator and denominator, fractions, standard ligatures, lining and old-style figures, localized forms, scientific inferiors, subscript and superscript, and small caps. ==Gallery==
Gallery
File:Avenir Next regular and condensed widths.png|Avenir Next in condensed and regular widths File:Janna mostra tipografica.png|An example page showing the Janna variant typeface ==Notable usage==
Notable usage
The city of Amsterdam uses Avenir as the principal typeface in its visual identity. The font was chosen when design bureau Eden Design & Communication won a citywide competition. Eden contracted Thonik for the new design. ==References==
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