Unlike the common towering indoor Hindu temples of the
Indian subcontinent, puras are designed as open-air places of worship within enclosed walls, connected with a series of intricately decorated gates between their compounds. These walled compounds contain several shrines,
meru (towers), and
bale (pavilions). The design, plan, and layout of the pura follow the
trimandala concept of Balinese space allocation. Three
mandala zones are arranged according to a sacred hierarchy: •
Utama mandala (jero): the holiest and the most sacred zone within the pura. This enclosed compound is the closest facing
kaja (towards the mountain) and usually contains a
padmasana shrine, the towering
lotus throne dedicated to the supreme god,
Sang Hyang Widhi Wasa; the
pelinggih meru (a multi-tiered tower-shrine); and several pavilions such as
bale pawedan (
vedic chanting pavilion),
bale piyasan,
bale pepelik (offering pavilion),
bale panggungan,
bale murda, and
gedong penyimpenan (storehouse of the temple's relics). •
Madya mandala (jaba tengah): the middle zone of the temple, where the activity of adherents takes place, and also the location for supporting facilities of the temple. In this zone usually, several pavilions are built, such as the
bale kulkul (wooden
Slit drum tower),
bale gong (
gamelan pavilion),
wantilan (meeting pavilion),
bale pesandekan, and
bale perantenan, the temple's kitchen. •
Nista mandala (jaba pisan): the outer zone, which directly connects the pura compound with the outer realm and the entrance to the temple. It is positioned
kelod (towards the sea). This zone usually takes the form of an open field or a garden that can be used for secula activities, religious dance performances, or as an additional space for preparations during religious festivals. However, the layout rules for arrangements of the facilities of the two outer zones, nista mandala and madya mandala, are somewhat flexible. Several structures, such as the
bale kulkul, could be built as outer corner tower; also, the
perantenan (temple kitchen) could be located in the
Nista mandala.
Gates There are two types of gates within
Balinese architecture: the split gate, known as
candi bentar, and the roofed tower gate known as
paduraksa or kori agung. Both types of gates have specific roles in Balinese architectural design. Candi bentar is the gate used in the nista mandala, while the kori agung is employed as the gate between the madya mandala and Utama mandala inner compounds. The rules for gate types are also valid for nonreligious compounds such as puri, nobles' and kings' residences. File:Bali, Pura Besakih 6.jpg|
Pura Besakih: stairs and terraces leading to the
candi bentar split gate. File:Pura Taman Saraswati3.JPG|
Pura Taman Saraswati (
Ubud): towering
kori agung gate. == Types of pura ==