Battle Hymns was released on June 14, 1982, by
Liberty Records. The album was supported with a tour with
Ted Nugent and
Pat Travers, where Manowar was a supporting act. They were later "booted" out of that tour after they reportedly got more audience response than Nugent and Travers. The promotion and press interviews for the band and album
Battle Hymns also included one of the earlier instances of Manowar exploring the ethos of "true metal": Joey DeMaio asserts in a 1982
Sounds interview: "American audiences don't know what
true heavy metal is. They really don't have a taste of metal. They don't have
Motörhead or anything like them", while Ross "The Boss" Friedman expressed disapproval for new wave and "bubblegum" music, and concern for the perceived decline of the "rock 'n' roll soul". At the time of the release, the reception of the album was initially negative, and the band was at one point considered a novelty. Writing for
Trouser Press in November 1982, Jon Young noted and praised the guitar works of
Ross The Boss, but singled out other members for "[failing] to pack comparable punch", and the production for having the "sonic consistency of a cardboard". Similarly,
Ethlie Ann Vare, for her syndicated column
Rock On, in September 1982, remarked that
Battle Hymns "is totally unlistenable for anyone but the most dedicated metallurgist" and "it'll make your eardrums bleed." John Kordosh, writing for
Creem magazine observed and contended that Manowar was a serious heavy metal band, in December 1982, emphasising the track "Metal Daze" and the title track "Battle Hymn", as highlights of the album, and favorably referred to Joey DeMaio as a "virtuoso" on the bass guitar, alongside Ross the Boss on electric guitar. Tim Sommer, writing for
Sounds was cautiously favorable, writing that
Battle Hymns is "a pretty good showcase of Manowar's mutant hard rock", describing it as "extreme, persistant stuff resounding with majesty, chops, and clarity". Sommer clarified that the songs were "sometimes great, occasionally, medium duff". As such, the album did not have noteworthy sales, awards, or recognitions. Over the years,
Battle Hymns strongly influenced heavy metal and
power metal, and paved the way for Manowar's strong cult following, which musicians, critics and journalists have since acknowledged. Writing for
AllMusic, Eduardo Rivadavia was favorable to the musicianship of Ross the Boss and Joey DeMaio, and called the debut album "a promising start" despite the perceived "heavy metal clichés" and "thin" music production. Music writer
Colin Larkin named "Dark Avenger" and Orson Welles' narration, and the bass solo of "William's Tale" as highlights of
Battle Hymns and remarked that Manowar was seemingly a "turbo-charged hybrid" of Ted Nugent and
Black Sabbath. In 2021, Vince Neilstein from
MetalSucks observed that Manowar "is obviously a huge influence in the power metalheads from Sweden" and further asserted that "Manowar is a great influence for almost all power metal bands that started in the last 25 years". Many journalists even consider it the first power metal album. == Track listing ==