.
Critical Beaufort was generally well received by critics. As of 21 October 2020, the review aggregator
Rotten Tomatoes reported that 85% of critics gave the film positive reviews, based on 53 reviews, and an average rating of 7.03/10. The website's critical consensus states, "
Beaufort is a deeply observant and meditative war film, masterfully rendered by director Joseph Cedar". Lisa Schwarzbaum of
Entertainment Weekly gave it an A, calling it "a movie of tremendous power—nerve-racking, astute, and neutral enough to apply to all soldiers, in all wars, everywhere".
A. O. Scott of
The New York Times wrote: "Even if it does not entirely rise above cliché, 'Beaufort' has an earnest, sober intelligence that makes it hard to shake. It suggests that, for those who fight, the futility of war is inseparable from its nobility." The film's concept and look were compared to those of
Letters from Iwo Jima. The film gained mostly very positive reviews in Israel; several reviewers called it one of the best Israeli films ever. Hannah Brown of
The Jerusalem Post called it the first great Israeli war film. The less positive reviews claimed that the film lacks a direct confrontation with its issues or criticism.
Effi Eitam, an Israeli war hero who was an Israel Defense Forces
high commander in Lebanon (he was replaced by
Moshe Kaplinsky several months before the withdrawal), said that the film "successfully depicts, in great detail, the military experience". Eitam also criticized the creators for showing only the last days of the fighting and not telling the full story of the 18 years of Israeli fighting in Lebanon ("Whoever watches this movie is likely to think that this entire war was just a matter of inane duck shooting... That’s not how we operated"). Jonathan Richards notes that the film has a "slow and contemplative [approach], punctuated by shocking bursts of explosive violence". He states that "at a little over two hours, [the film] drags at times with its static, claustrophobic setting and thin plot," but nevertheless states that "it makes an urgent case for the futility of most wars, which serve immediate political goals that afterward don’t seem terribly important." He states that "at its core[,] Beaufort is about the heroism of withdrawal, the guts it takes to reject the militaristic mindset that believes any retreat is a weakness."
Commercial Beaufort is one of the most successful Israeli films of the 2000s. It made more than US$500,000 in the first 3 weeks of its release in the Israeli market, a substantial amount for a domestic Israeli film. Since its release, it was viewed by over 300,000 viewers in Israel.
Awards and nominations Cedar won the Silver Bear in the
Berlin International Film Festival for directing
Beaufort, and the film was also nominated for the
Academy Award for Best Foreign Language Film, the first such nomination for an Israeli film since
Beyond the Walls (1984) and the seventh overall. In Israel it won 4
Ophir Awards—Best Cinematography, Best Film Editing, Best Artistic Design and Best Soundtrack. It was also nominated for Best Picture, although the award went to ''
The Band's Visit, making Beaufort
the first film directed by Cedar to not win this award. The Band's Visit'
s status as a foreign language film in the Academy Awards was rejected because it contains over 50% dialogue in English, which caused the runner-up Beaufort'' to become Israel's submission instead. ==Controversies==