4:["$","div",null,{"className":"min-h-screen bg-white flex flex-col","children":[["$","div",null,{"className":"px-6 pt-6 pb-4 border-b border-gray-100","children":[["$","div",null,{"className":"flex items-center gap-1.5 text-xs text-gray-400 mb-4","children":[["$","a",null,{"href":"/","className":"hover:text-[#26a69a] transition-colors","children":"Market"}],["$","span",null,{"children":"›"}],["$","span",null,{"className":"text-gray-600","children":"Becoming Colette"}]]}],["$","div",null,{"className":"text-[10px] text-gray-400 uppercase tracking-widest mb-1","children":"Company Profile"}],["$","h1",null,{"className":"text-2xl font-bold text-gray-900","children":"Becoming Colette"}],null]}],["$","div",null,{"className":"flex-1 px-6 py-6","children":[["$","p",null,{"className":"text-sm text-gray-600 leading-relaxed mb-8","children":"Becoming Colette is a 1991 German-British-French biographical drama film written by Ruth Graham, directed by Danny Huston and starring Klaus Maria Brandauer and Mathilda May as Henry Gauthier-Villars and Colette respectively. It was originally entitled Colette."}],["$","div",null,{"className":"columns-1 md:columns-2 gap-10","children":[["$","div","0",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Plot"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"During one of her avant-garde theater performances, Colette notices that her ex-husband, Willy Gauthier-Villars, is in the audience, prompting her to reminisce about her development from ingénue in rural Burgundy to novelist in Paris. It follows Colette's life in her twenties and thirties, her marriage to libertine Willy, her relationship with the younger yet well-experienced actress Polaire, and the publication of her first novels under Willy's name. (c.1910) ==Cast=="}}]]}],["$","div","1",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Production"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"The shooting was marked by the violence of Klaus Maria Brandauer towards Mathilda May, without intervention of the film crew to protect her. ==Release=="}}]]}],["$","div","2",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Release"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"The film was released in New York City on November 6, 1992. ==Reception=="}}]]}],["$","div","3",{"className":"mb-8 break-inside-avoid","children":[["$","div",null,{"className":"text-xs font-semibold text-gray-400 uppercase tracking-wide mb-3 border-b border-gray-100 pb-1","children":"Reception"}],["$","div",null,{"className":"text-sm text-gray-600 leading-relaxed wiki-content","dangerouslySetInnerHTML":{"__html":"Joe Leydon of Variety gave the film a negative review and wrote, \"Not even a twinkly eyed, scene-stealing turn by Klaus Maria Brandauer is enough to enliven Danny Huston's Becoming Colette ...\" Peter Rainer of the Los Angeles Times also gave the film a negative review and wrote, \"The film, which was directed by Danny Huston and scripted by Ruth Graham, has an airless, disembodied quality—not exactly what one wants from a movie about a sensualist of genius.\" Rita Kempley of The Washington Post also gave the film a negative review, describing it as \"negligible\". ==References=="}}]]}]]}],"$Lf"]}],"$L10"]}]