Behind the Mask deviated from the ornate production found on earlier Fleetwood Mac albums in favor of adult-oriented rock. As noted by Nicks, the album was easier to record compared to their other work. "It's not that we didn't take as much time, it's more that the time that we did take was quality time. So, it therefore did not seem to take nearly as long."
Lindsey Buckingham stopped by the recording studio to play acoustic guitar on the title track, which was penned by Christine McVie. Vito said that he was not present at the recording studio when Buckingham overdubbed his guitar part; he attributed Buckingham's appearance on the album to Fleetwood's willingness to make amends with Buckingham. The band spent between eight months and a year making
Behind the Mask, which they recorded and mixed at The Complex in
Los Angeles. Most of the songs were recorded on a
sound stage within the facility, with the intention of achieving a larger drum sound. Ladanyi placed a
Neumann M 50 microphone six feet away from the drum kit to capture the room ambiance. According to Ladanyi, this microphone provided him with "50 percent of the sound" that he wanted. He used various other microphones to capture individual components of Fleetwood's drums, including Sanken CU-31s for his five
tom drums, which Landanyi selected to minimise
audio leakage from the
cymbals and
snare drum ==Release==