Bellefleur (novel)

The novel is a Gothic saga of the Bellefleur family spanning several generations. The two focal characters are the wealthy and powerful Gidion Bellfleur and his beautiful and psychic spouse, Leah. Their home is Bellefleur castle and its vast properties, where they live with their three children, along with various relatives and servants. The extended family includes members resembling figures from the Grand Guignol: a spiritual savant, homicidal maniac, an incestuous uncle and niece, a scientific boy-wonder, siamese twins, and a female vampire. Leah is determined to restore the Bellefleur estate to its former glory. Gideon distracts himself by indulging in the licentious entertainments of the rich. The elder members of the clan are ultimately destroyed, but the children break free of the Bellefleur curse and emerge with a measure of independence and optimism. ==Reception==

New York Times reviewer John Gardner declares Bellefleur "an awesome construction, in itself a work of genius," but regrets that "the artifice undermines emotional power, making the book cartoonish." Gardner forgives Oates her literary idiosyncrasies evident in the novel and acknowledging its "brilliance: "Though Bellefleur is not her best book, in my opinion it's a wonderful book all the same." ==Critical appraisal==

Critic John Gardner characterizes the novel as a medieval allegory—caritas versus cupiditas (charity vs. desire)—a struggle for ascendancy between "selflessness" and "selfishness." Though non-sectarian in her views, Oates is nonetheless "a religious novelist" and Bellefleur "the most openly religious of her books." Literary critic Joanne V. Creighton describes Bellefleur as a "reworking of nineteenth century genres" and an "imaginative playing out of the dualites at the heart of the American dream and the American character." Creighton ranks Bellefleur among "our great American novels." == Footnotes ==