The modern church has maintained the
Romanesque façade and bell tower. Also preserved is the crypt of the primitive church, with remains of 14th-century frescoes. All the rest belongs to the modern edifice completed in the 1960s. The façade, dating to the late 13th century, is entirely in white marble, inspired by contemporary Pisan structures. It has two orders with six arcades, which are shallower on the lower level. The main portal is enclosed by an
architrave and two richly decorated
imposts. The imposts of the side portals are re-used Roman architraves. The upper arcades form a loggia, and are separated by decorated columns. The arcade above the portal has a
rose window with twelve radiating columns and a mosaic of the
Mystic Lamb. The other arcades have
oculi and a single
mullioned window. The one furthest to the right has a depiction of a knight from the 13th century, placed there after the destruction of the original tomb it formerly decorated. The sturdy square bell tower was erected by archbishop Romano Capodiferro and is dated 11 February 1279. The front has a frieze with 17 Roman gravestones, while the west side features the remains of a Roman
labarum in gilt metal. At the base of the east side is a relief representing a wild boar with a crown of laurel: this may hint at the foundation of the city, or might have been the totemic animal of the
Samnites living in the area before the Roman conquest. The bell chamber has four double-mullioned windows. The interior is modern but contains several historical features, including a large statue of
Saint Bartholomew (early 14th century), some 18th-century artworks which escaped the destruction of 1943, and the crypt of the 7th–8th-centuries. == Notes ==