Painting Franklin is pictured raising his hand into the stormy skies as the clouds open above him. A spark appears between the key and Franklin's hand. West depicts Franklin with white hair, as he is popularly remembered. He holds a scroll in his left hand and is wearing a red cloak that is blowing in the wind. To Franklin's right is a group of
cherubs assisting him in his experiment by holding the kite string and observing him. West dresses one of these cherubs in traditional
Native American attire. Cherubs were traditionally used in
Apotheosis paintings that deify humans. Directly to Franklin's right is another group of cherubs tinkering with a tool. Franklin's right arm, the Cherub to his right, and the Cherub to his left, come together to form a triangle, the compositional foundation of the entire painting. The arrangement directs the viewers' eyes to Franklin's hand and the lightning key. West amplifies this effect by clearly defining the edges of the key and making the surrounding electricity more pronounced than the lighting in the distance. Other works of art, such as
Carl Rohl-Smith's Statue of Young Benjamin Franklin with Kite, provide a more accurate representation of Franklin at the time of his experiment, giving him a significantly younger appearance.
West's relationship with Franklin West and Franklin initially met in London, then developed an amicable relationship as fellow Philadelphians. West was born in
Swarthmore, Pennsylvania, and Franklin moved to Pennsylvania in his early adulthood. They became close enough that West asked Franklin to be godfather to his second son. West decided to make the painting to celebrate the achievements of his friend after Franklin's death. The painting was intended to be a study for a much larger painting that West planned to donate in honor of his friend to the
Philadelphia Hospital, established by Franklin. == In modern culture ==