Reviewing the 1978 LP in ''
Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote of Music for 18 Musicians'': "In which pulsing modules of high-register acoustic sound—the ensemble comprises violin, cello, clarinet, piano, marimbas, xylophone, metallophone, and women's voices—evolve harmonically toward themselves. Very mathematical, yet also very, well, organic—the duration of particular note-pulses is determined by the natural breath rhythms of the musicians—this sounds great in the evening near the sea." Critic Edward Strickland argues that
Music for 18 Musicians is "the high point of ensemble music of the 1970s by composers identified as Minimalist".
AllMusic wrote that "when this recording was released in 1978, the impact on the new music scene was immediate and overwhelming. Anyone who saw potential in minimalism and had hoped for a major breakthrough piece found it here. The beauty of its pulsing added-note harmonies and the sustained power and precision of the performance were the music's salient features; and instead of the sterile, electronic sound usually associated with minimalism, the music's warm resonance was a welcome change."
Ottó Károlyi identifies diverse influences including
jazz and
Balinese musical forms and notes that the piece's vocals feature
organum and
conductus. In 2003,
David Bowie included it in a list of 25 of his favorite albums, "Confessions of a Vinyl Junkie", calling it "Balinese
gamelan music cross-dressing as minimalism". == Track listing ==