Ochsner was based in Chicago and often performed there. In 1930 she attended an international dance congress in Munich, where she observed the work of
Mary Wigman. She worked with
Marian Van Tuyl in Chicago. She made her New York debut in 1935, with a solo recital at the
Guild Theatre. "Miss Ochsner is unquestionably a gifted dancer," noted
John Martin after that performance. "Her body is an excellent instrument and she moves with real beauty and authority." Ochsner worked with
Katherine Dunham and Grace and
Kurt Graff as a director and choreographer of the
Ballet Fedre, a dance troupe funded by the
Federal Theatre Project. Ochsner returned to Madison to perform, and to teach dance in her teacher
Margaret H'Doubler's program there. She also studied and taught in Sweden, and at the Bennington Summer School for Dance in the 1930s. She resisted labels and drew from eclectic influences. "She is an exponent of no one particular school of dance," explained a student reporter in 1931. "By means of her collective experience, she effects the liberation of new forms, not through imitation, but through the release of individual energies." Ochsner's 1915 poem "The Nights o' Spring" was adapted for a
madrigal by composer
Frances McCollin. Composer
Amy Beach set a poem by Ochsner to music as "A Mirage" (1924). Ochsner was a sponsor of the
League of Women Shoppers of Chicago. ==Works==