Bessie Jones (Welsh singer)

Jones was raised in Tonypandy the daughter of John Jones, a fruiterer. Jones studied at the Royal College of Music, where she won the operatic class prize in 1910 and the Henry Leslie prize for singers in 1912. In the college's 1911 production of Cherubini's opera The Water Carrier, Jones starred alongside George Baker under the direction of Richard Temple and Sir Charles Stanford. She sang at the Proms in 1913 conducted by Sir Henry Wood, and played Wellgunde and the Woodbird in Wagner's Ring cycle at the Royal Opera House with conductor Arthur Nikisch in 1914. The Manchester Guardian called her, "a new soprano with a sweet voice of considerable power". ==His Master's Voice and later years==

'' featuring Jones Jones was a contract singer for Gramophone Company studios from 1913 to 1926 recording popular numbers as well as Welsh folksongs in the original Welsh. Among her notable recordings was the original 1918 recording of the song "Peter Pan", Noël Coward's first lyric for the London stage, from the revue Tails Up!. This was Coward's first publicly performed song. She was one of the His Master's Voice contract singers to use the pseudonym "Madame Deering". When His Master's Voice earliest recordings of the Gilbert and Sullivan operas were made between 1918 and 1924 under the direction of Rupert D'Oyly Carte, Jones sang the roles of Peep-Bo in The Mikado (1918), Gianetta and Fiametta in The Gondoliers (1919), Kate in The Yeomen of the Guard (1920), Edith in The Pirates of Penzance (1921), Lady Saphir in Patience (1922), Celia in Iolanthe (1923) and Josephine in H.M.S. Pinafore (1924). Also for His Master's Voice, Jones recorded Edward German's Merrie England under the direction of the composer in 1918, and Puccini's Madame Butterfly in 1924, in which she sang Kate Pinkerton. For the same company Jones recorded less serious repertoire, including the songs "Down Zummerzet way" (by TCSterndale Bennett), "The interfering parrot" (from The Geisha), "Up there!" (by Ivor Novello), "Daddy's sweetheart" (by Liza Lehmann), and "The Mirror Song" (by Oscar Straus). In the concert hall, Jones's repertoire included Berlioz' La damnation de Faust and Bach's St Matthew Passion. She was a pioneer broadcaster, singing on BBC radio when the organisation was still a limited company. In one performance from 1938 on a BBC radio programme in Wales, she was accompanied on the piano by her husband Edgar Jones. ==Notes==