, 1793) , 1863) The story was often applied to political situations at a later date. In
James Gillray's 1793 cartoon,
Britannia between Scylla and Charybdis, "
William Pitt helms the ship
Constitution, containing an alarmed Britannia, between the rock of democracy (with the
liberty cap on its summit) and the whirlpool of arbitrary power (in the shape of an inverted crown), to the distant haven of liberty". This was in the context of the effect of the
French Revolution on politics in Britain. That the dilemma had still to be resolved in the aftermath of the revolution is suggested by
Percy Bysshe Shelley's returning to the idiom in his 1820 essay
A Defence of Poetry: "The rich have become richer, and the poor have become poorer; and the vessel of the state is driven between the Scylla and Charybdis of anarchy and despotism." A later
Punch caricature by
John Tenniel, dated 10 October 1863, pictures the
prime minister Lord Palmerston carefully steering the British ship of state between the perils of Scylla, a craggy rock in the form of a grim-visaged
Abraham Lincoln, and Charybdis, a whirlpool which foams and froths into a likeness of
Jefferson Davis. A shield emblazoned "Neutrality" hangs on the ship's thwarts, referring to how Palmerston tried to maintain a strict impartiality towards both combatants in the
American Civil War. American satirical magazine
Puck also used the myth in a caricature by F. Graetz, dated November 26, 1884, in which the unmarried president-elect
Grover Cleveland rows desperately between snarling monsters captioned "Mother-in-law" and "Office Seekers". In the world of literature,
Victor Hugo uses the equivalent French idiom (
tomber de Charybde en Scylla) in his novel
Les Misérables (1862), again in a political context, as a metaphor for the staging of two rebel barricades during the climactic
uprising in Paris. The first chapter of the final volume is titled "The Charybdis of the
Faubourg Saint-Antoine and the Scylla of the Faubourg du Temple".
James Joyce uses the idiom to frame the events in Episode 9 of
Ulysses (1922). In the world of music, the second line of
The Police's single "
Wrapped Around Your Finger" (1983) uses the idiom as a metaphor for being in a dangerous relationship; this is reinforced by a later mention of the similar idiom of "the devil and the deep blue sea." American heavy metal band
Trivium also referenced it in "Torn Between Scylla and Charybdis," a track from their 2008 album
Shogun, in which the lyrics are about having to choose "between death and doom." In 2014
Graham Waterhouse composed a
piano quartet titled
Skylla and Charybdis. According to his programme note, its four movements "do not refer specifically to the protagonists or to events connected with the famous legend"; they reflect images "conj[u]red up in the composer's mind during the writing". ==See also==