Beveridge Webster initially studied with his father (also named Beveridge), who was director of the Pittsburgh Conservatory of Music. then at the
Paris Conservatory with
Isidor Philipp. In 1926 he won first prize at the Paris Conservatory's piano competition. He returned annually to the American Academy through 1934. He also studied in
Berlin with
Artur Schnabel. He made his
New York debut in November 1934 with the
New York Philharmonic performing
Edward MacDowell's Piano Concerto No. 2. Webster was best known as an interpreter of French composers, especially
Maurice Ravel (who he met in Paris as a student) and
Claude Debussy. He premiered an early version of Ravel's
Tzigane in 1924, and in 1975 he celebrated Ravel's centenary by performing the complete Ravel piano solo oeuvre at Juilliard. In 1968, over a three-concert series at
The Town Hall, he commemorated the 50th anniversary of Debussy's death with the first complete survey of the composer's piano works in New York., attended one of his recitals at New York’s Town Hall, and wrote him a brief letter praising his performance, "That was the third time I had heard you play the Schumann, and this week I thought there was a kind of larger freedom in your treatment and a careless care in shooting the rapids (a queer figure of speech, but if you’ve ever seen the Canadian canoe men shoot rapids, you will know that I mean something (not velocity) which I am unable to say in technical musical language)." He taught at
New England Conservatory from 1940 to 1946 and at the
Juilliard School from 1946 to 1990., and
Hao Huang.
Seymour Bernstein related in his autobiography that by 1966 Webster had become a disengaged teacher. He made a substantial series of recordings issued on
LP by
Dover Publications and at least one, billed as the first installment in a complete traversal of
Schubert's piano sonatas, for
MGM Records, released as E3711. Webster is associated with premiere performances, dedications, and first recordings of many contemporary works, including: •
Variations in C Minor, for Piano by
Harold Shapero. Premiered in 1949 at a
League of Composers concert held at New York's
Museum of Modern Art. • Dedicatee of the last of
Louise Talma's Six Etudes for piano. • Dedicatee of
Erich Itor Kahn's Five Bagatelles. • Dedicatee of Billy Jim Layton's Five Studies for Violin and Piano from 1957 • Dedicatee of
Robert Black's only work for solo piano,
Foramen Habet! • Dedicatee of
Jean Papineau-Couture's Rondo • Other pieces by
Roger Sessions,
Roy Harris,
Aaron Copland and
Elliott Carter. As an editor, Webster created editions of the music of: • Chabrier's
Pièces pittoresques, which consisted little more than adding fingerings to reproductions of original Enoch-Costallat prints. • Dover's 2nd edition from 1975 of
Claude Debussy: Piano Music (1888-1905), which corrected many engraving errors from the Dover reprinting of earlier Fromont editions. ==References==