Box office Point Break was released on July 12, 1991, in 1,615 theaters, grossing $8.5 million on its opening weekend, behind
Terminator 2: Judgment Days (directed by Bigelow's then-husband,
James Cameron) second weekend and the openings of the re-issue of
One Hundred and One Dalmatians and
Boyz n the Hood. With a budget of $24 million, the film went on to make $43.2 million in North America and $40.3 million internationally for a total of $83.5 million worldwide.
Critical response On
Rotten Tomatoes, the film holds an approval rating of 69% based on 81 reviews. The website's critics consensus reads: "Absurd, over-the-top, and often wildly entertaining,
Point Break is here to show you that the human spirit is still alive."
Metacritic reports a weighted average score of 60 out of 100, based on 21 critics, indicating "mixed or average reviews". Audiences polled by
CinemaScore gave the film an average grade of "B+" on an A+ to F scale.
Roger Ebert of the
Chicago Sun-Times gave the film three-and-a-half stars out of four and wrote: "Bigelow is an interesting director for this material. She is interested in the ways her characters live dangerously for philosophical reasons. They aren't men of action, but men of thought who choose action as a way of expressing their beliefs." On their
TV show, Ebert's colleague
Gene Siskel called the film "not bad at all" but considered it "overstuffed" with false endings and gratuitous dialogue, and ultimately gave the film a "thumbs down." In her review for
The New York Times,
Janet Maslin praised Reeves's performance: "A lot of the snap comes, surprisingly, from Mr. Reeves, who displays considerable discipline and range. He moves easily between the buttoned-down demeanor that suits a police procedural story and the loose-jointed manner of his comic roles."
Entertainment Weekly gave the film a "C+" rating and
Owen Gleiberman wrote: "
Point Break makes those of us who don't spend our lives searching for the ultimate physical rush feel like second-class citizens. The film turns reckless athletic valor into a new form of aristocracy." In his review for
The Washington Post, Hal Hinson wrote: "A lot of what Bigelow puts up on the screen bypasses the brain altogether, plugging directly into our viscera, our gut. The surfing scenes in particular are majestically powerful, even awe-inspiring. Bigelow's picture is a feast for the eyes, but we watch movies with more than our eyes. She seduces us, then asks us to be bimbos."
Rolling Stone magazine's
Peter Travers wrote: "Bigelow can't keep the film from drowning in a sea of surf-speak. But without her,
Point Break would be no more than an excuse to ogle pretty boys in wet suits."
USA Today gave the film two out of four stars, and Mike Clark wrote: "Its purely visceral material (surf sounds, skydiving stunt work, a tough indoor shootout midway through) are first-rate. As for the tangibles that matter even more (script, acting, directorial control, credible relationships between characters), Break defies belief. Dramatically, it rivals the lowest surf yet this year."
Time magazine's Richard Corliss wrote: "So how do you rate a stunningly made film whose plot buys so blithely into macho mysticism that it threatens to turn into an endless bummer? Looks 10, Brains 3." Critics have commented on the central 'buddy' relationship of Bodhi and Johnny, and on the unusually equal dynamic in the romantic relationship of Tyler and Johnny (which Bigelow changed Peter Iliff's original script to create); Tyler is a "muscled, brash waitress with an androgynous name (Tyler) and physical features", and Johnny's "feminine edges nudge in nicely to her masculine ones. In nearly every scene they share, they are portrayed by the camera as equals." In 2006, a special edition was released on DVD—the original DVD was released on May 22, 2001.
Entertainment Weekly gave it a "B" rating and wrote: "The making-of docs (at their best discussing Swayze's extracurricular skydiving—that really is him doing the
Adios, amigo fall) will leave you hanging." In 2021, Keith Duggan, reflecting on
Point Break 30 years later, wrote in the
Irish Times: ==Legacy==