Due to difficulties of communication with mainland Guinea-Bissau that persist to this day, the population has a considerable degree of
autonomy and has shielded its ancestral culture from outside influence. The
Bijago language is spoken along with
Portuguese and
creole. Author Paulo Feytor Pinto wrote that, circa 2024,
Kriol Guinensi is the most prominent language in cities, while
Bidyogo is the most prominent language in the countryside, with Kriol Guinensi there being a
second language. According to Pinto, in regards to Portuguese, it "is not often used, not even in school or among teachers." Some authors argue that Bijago culture tends to be matriarchal, with women managing the household, the economy, law, as well as initiating courtship (women choose their husbands and terminate the matrimony). Other sources dispute this and suggest that closer examination has revealed a fundamentally patriarchal society where women, in spite of their substantial participation in material production and important roles in social, political, and religious matter, remain essentially unequal to men. A 2016 study suggested that female status in Bijagos society was diminished during the
slave trade era (likely due to European influence) but has become more valued again in more recent times. In 2012, a study by Bissau-Guinean sociologist Boaventura Santy examined the social representations of the people of the island of Formosa Bijagó about possible threats from
climate change. The study concluded that for "the Bijagó the natural and the social are inextricably linked, to the extent that a crisis in the social system would have negative effects" on the natural system. In particular, it was the lack of harmony between the community, ancestors and the supernatural world that was seen as causing environmental dissonance. As of 2024 some people from neighboring French-speaking countries are in the islands, and they use French, along with tourists from French-speaking countries.
Art The Bijagós peoples produce many artifacts for daily use and ritual following a traditional iconography that is unique to their culture, and shows variations from island to island. Among the most striking
Bidyogo art pieces are the portable ancestor shrines ("iran") and the zoomorphic masks representing cows ("vaca-bruta"), sharks, stingrays and, occasionally, other local animals. Traditionally-decorated artifacts are also produced for "fanado" coming-of-age ceremonies (wood masks, spears, shields, headgear, bracelets), daily activities (fishing, agriculture) and personal use (stools, basketry, foodware). Its unique aesthetics make
Bidyogo art easily distinctive from other African tribal arts. ==Education==