The programme was produced in three stages:
Cast recordings The sketches were recorded dry in a radio studio at the Sound Company in London. Recordings were made with the
Fostex 2000 Digital Audio Workstation. Sketches were recorded to fake the supposed original conditions. For a Studio Radio Programme, the actors were seated, and typical radio microphones were used. Where the sketch was a lone reporter recording a field report, the entire sketch was recorded on a single microphone being held by the actor. Vintage sketches used vintage microphones. The actors were encouraged to act out the sketch physically as well as vocally to give the best sense of movement.
Sketch mixing The mixing took place in a separate session, though in the same studio. Library effects were used for the atmospheres, but many spot effects were produced
Foley style in the studio by Martin Simms and Joss Sanglier. This often entailed the two throwing themselves at cardboard boxes or beating up items of clothing. The audio was restricted to mimic the supposed reality of the sketch. As with the voice recordings, if the sketch was a lone reporter with a microphone, then all foley recordings were recorded on the same single microphone. Once the sketches were finished and mastered, they were then degraded to more closely resemble a radio item recorded off air by a listener. This entailed frequency limiting and copying via analogue
reel-to-reel tape to add tape noise and the occasional audio error.
Final production The final shows were recorded "as live" at
Unique Broadcasting, where they were presented by Greg Proops, and the sketches and the records were played into the show. ==References==