The
black box trick of using performers dressed in black in a dark playing space has been in use for millennia, starting with the jugglers performing for the emperor in ancient China. Japan developed this technique in its
Bunraku Theatre by having puppeteers wear black in order to place complete emphasis on the puppet. Under the stage name 'Black Art', an 1897 American compendium of stage illusion techniques included
a detailed description of an illusion which displays key elements of modern Czech 'Black Light Theatre' apart from, crucially, the use of ultraviolet lighting on fluorescent materials. In this 19th-century procedure, the stage is draped in black velvet to suppress ambient light. Instead of UV lighting on fluorescent materials, those figures and objects which the audience is intended to see are in white. In an otherwise dark theatre, special low lights round the edges of the darkened stage serve to slightly dazzle the audience and thus hide black-clad stage assistants who make white objects suddenly appear by producing them from unseen black velvet bags. Likewise unseen black-clad stage assistants manipulate visible white objects, for instance skeletons, around the dark stage. This account names the legendary
Harry Kellar as among stage magicians who had used this method. Prague has since become the home of black light theatre with around 10 black light theatre companies. Another well-known black light theatre group is HILT black light theatre Prague, whose performances are based on modern music and dance choreographies, also incorporating live singing. The group was founded in 2006 by Czech dancer, choreographer, director and music composer Theodor Hoidekr. In 2016, a new black light theatre style called "shadow film theatre" was created by the HILT Prague group. In addition to black light theatre shows, their performances also include the first shadow film theatre - dancers and actors play with their shadows on a screen with projections of real places. In Germany
Rainer Pawelke presented his interpretation of black theatre in a stage show for the first time in 1980. The stage show was developed together with his students from the
University of Regensburg and was the precursor to the educational sports theatre project
Traumfabrik. The project enjoyed considerable popularity in the 1980s - touring and appearing in prime time television in Germany. Traumfabrik tours still every year with 40 shows per year including black light theatre acts. Rainer Pawelke co-authored a book "Schwarzes Theater aus der Traumfabrik" (German: Black light theatre in the Traumfabrik" to share and consolidate his insights about black theatre. ==Modern dance in black light theatre==