Early years: 1960s and early 1970s Black Panther first appeared in
Fantastic Four #52, published in July 1966, and the following issue in August of the same year. There was some debate at Marvel, with Lee wondering how far to go with the introduction of a Black superhero, which was commercially risky in that era. In the first version of the cover for
Fantastic Four #52, Kirby drew the Black Panther wearing a cowl that exposed his face. In the published version, the cowl became a full facemask. Previews in other comics did not show the cover at all, indicating that Lee was hesitant. Subsequent to his first appearance, Black Panther made guest appearances in
Fantastic Four Annual #5 (1967) and with
Captain America in
Tales of Suspense #97–99 and
Captain America 100 (January – April 1968). The Black Panther journeyed from the fictional African nation of
Wakanda to
New York City to join the titular American superhero team in
The Avengers #52 (May 1968). He appeared in that comic for the next few years. During his time with the Avengers, he also made solo guest-appearances in three issues of
Daredevil, and fought
Doctor Doom in
Astonishing Tales #6–7 (June & August 1971), in that
supervillain's starring feature. In a guest appearance in
Fantastic Four #119 (February 1972), the Black Panther briefly used the name "Black Leopard" to avoid association with the Black Panther Party, but the new name did not last. The character's name was changed back to Black Panther in
The Avengers #105, with T'Challa explaining that renaming himself made as much sense as altering the
Scarlet Witch's name because of the negative associations of witchcraft, and that he eschews stereotypes.
Avengers writer Roy Thomas said that the Black Panther name "had more resonance," but that the political implications limited the character's prominence.
1970s and 1980s He received his first starring feature with
Jungle Action #5 (July 1973), a reprint of a story in
The Avengers #62 (March 1969) that focused on Black Panther. A new series, titled "Panther's Rage", began running the following issue, written by
Don McGregor, with art by
pencilers Rich Buckler,
Gil Kane, and
Billy Graham, and which gave inkers
Klaus Janson and
Bob McLeod some of their first professional exposure. The critically acclaimed series ran in
Jungle Action #6–18 (1973-1975). One now-common format McGregor pioneered was that of the self-contained, multi-issue story arc. "Panther's Rage" also introduces T'Challa's nemesis
Erik Killmonger, a rival for the throne of Wakanda who recurs in subsequent series. Rebecca Wanzo, a scholar of African-American literature, describes "Panther's Rage" as "the first major step in
decolonizing the character." The cast of the story arc is almost entirely Black. The second and final arc in
Jungle Action, also written by McGregor, was titled "Panther vs. the Klan" and ran in 1976. The subject matter of the
Ku Klux Klan was considered controversial in the Marvel offices at the time, creating difficulties for the creative team. Scholars Burton P. Buchanan, Ivan Alcime, and Carlos D. Morrison point out that the story was published at a time of resurgence for the Klan in
Georgia, and that the story prescribes a self-defense strategy for Black people in response. Qiana J. Whitted points out that the artists in this period incorporated African American popular culture of the era, such as T'Challa wearing a "modified version of the gold-chain outfit worn by singer
Isaac Hayes for the Watts, Los Angeles, community benefit concert that was released as the 1973 documentary film
Wattstax." Though popular with college students, the overall sales of
Jungle Action were low. Marvel relaunched the Black Panther in a self-titled series, bringing in the character's co-creator
Jack Kirby—newly returned to Marvel after having decamped to rival
DC Comics for a time—as writer, penciler, and editor. In the series, Black Panther searches for a magic artifact called King Solomon's Frog. However, the series was commercially unsuccessful. Kirby left the series after only 12 issues and was replaced by
Ed Hannigan (writer),
Jerry Bingham (penciler), and
Roger Stern (editor).
Black Panther ran 15 issues (January 1977 – May 1979); the contents of what would have been
Black Panther #16–18 were published in
Marvel Premiere #51–53. In 1980, Black Panther appeared as a guest star in
The Defenders #84-86 (June-August), written by Ed Hannigan. This story introduced Black Panther's rivalry with
Namor and his kingdom of Atlantis, which becomes a recurring conflict in future story lines. Later in the year, Black Panther appeared in a back up story in
Marvel Team-Up #100 (December) that establishes his relationship with
Storm of the
X-Men. A four-issue
miniseries,
Black Panther vol. 2, (July – October 1988) was written by
Peter B. Gillis and penciled by
Denys Cowan. McGregor revisited his Panther saga with
Gene Colan in "Panther's Quest", published as 25 eight-page installments within the bi-weekly
anthology series
Marvel Comics Presents (issues #13–37, Feb.–December 1989). The story takes place in
South Africa. In the view of critic Todd Steven Burroughs, "'Quest' attempts to show how oppressive
apartheid is for everyone involved."
1990s McGregor later teamed with artist
Dwayne Turner in the square-bound miniseries ''Black Panther: Panther's Prey'' (September 1990 – March 1991). While the project received some critical accolades, the character did not appear again for several years. Writer
Christopher Priest's and penciller
Mark Texeira's 1998 series
Black Panther vol. 3 re-invented the character, initially under the
Marvel Knights imprint. Priest was the first Black creator to become an editor at Marvel. Priest believed that the Black Panther had been misused in the years after his initial creation by Lee and Kirby, and that he had developed a reputation as a dull "also-ran" with no evident powers. To reinvent the character, he emphasized Black Panther's role as a monarch of a technologically advanced independent nation, and hence one of the most powerful figures in the Marvel universe. Scholar Todd Steven Burroughs describes the new vision for the Black Panther as "a combination of
Frank Miller's
Batman and
South African president
Nelson Mandela." Priest's initial concept was inspired by Batman, but also by one of Batman's nemeses,
Ra's al Ghul, the mysterious leader of a League of Assassins. Priest believed this "fearsome African warrior" would simply be too intimidating for the Marvel universe. Priest introduced the character of
Everett K. Ross, a State Department attorney, as a device for reader identification: "I realized I could use Ross to bridge the gap between the African culture that the Black Panther mythos is steeped in and the predominantly white readership that Marvel sells to." Influenced by
Chris Claremont and
Frank Miller, he aimed to introduce moral ambiguity and political complexity to the world of Black Panther. Priest also envisioned the series as a political satire, comparing it to
The West Wing. In Priest's characterization, T'Challa actually joined the Avengers in order to spy on them, protecting Wakanda's national interests. Inspired by the
Eddie Murphy film
Coming to America, Priest and his artists returned to the fundamental sovereignty of Wakanda. He revisited
Erik Killmonger and other characters introduced in "Panther's Rage", together with new characters such as State Department attorney Everett Ross and the
Dora Milaje, the Panther's female bodyguards. In their original characterization, the Dora Milaje are beautiful teenage girls who are, officially speaking, the Panther's potential wives. Dora Milaje is said to translate from
Hausa to "adored ones".
Ta-Nehisi Coates has said that Priest "had
the classic run on Black Panther, period, and that's gonna be true for a long time." Cultural critic Douglas Wolk agrees that Christopher Priest's run established the canonical version of the character, although: "The tone of Priest's run was wildly different from any other Black Panther stories before or since—it's basically a political comedy—but Priest's central insight was that T'Challa isn't actually a superhero in the ordinary sense," but rather a monarch. He also says that the first issue of the run makes no sense at first reading, and requires a continuing interpretation of future issues. He argues that this is unique in mainstream superhero comics.
2000s Black Panther #25-27 (December 2000-February 2001) reintroduce
Storm as a major character in Black Panther's world. Priest intended their love affair as a consistent aspect of their development, but did not believe they could form a durable relationship. The last 13 issues of Priest's series (#50–62) saw the main character replaced by a
multiracial New York City police officer named
Kasper Cole, with T'Challa relegated to a supporting character. This Black Panther, who became the
White Tiger, was placed in the series
The Crew, running concurrently with the final few
Black Panther issues.
The Crew was canceled with issue #7. signing a copy of the fourth
Black Panther series at
Midtown Comics in Manhattan In 2005, Marvel began publishing
Black Panther vol. 4, which ran 62 issues. It was initially written by filmmaker
Reginald Hudlin (through issue #38) and penciled by
John Romita, Jr. (through #6). Hudlin is a Hollywood writer and director who was at that time the president of the entertainment division of
Black Entertainment Television. He wanted to add "street cred" to the title, although he noted that the book was not necessarily or primarily geared toward an African-American readership. As influences for his characterization of the character, Hudlin has cited comic character
Batman, film director
Spike Lee, and music artist
Sean Combs. The Black Panther comics that Hudlin wrote sold much better than any previous series featuring the character, including Priest's. According to
Diamond Comic Distributors,
Black Panther (2005) #1 was the 27th best-selling comic book in February 2005. Hudlin's series also received positive notice from figures outside the comic book world, such as
Ice Cube and
Ziggy Marley. In 2006, during Hudlin's run, T'Challa marries
Storm of the
X-Men, and she appeared as a prominent supporting character in many subsequent storylines. Readers and critics compared the wedding to the relationship of
Jay-Z and
Beyoncé, although they did not marry until two years later. This wedding takes place during Marvel's
Civil War event, and presented a temporary truce in the conflict of that storyline. Subsequently, as a result of the conflict among superheroes during this era, the two characters replace
Mister Fantastic and the
Invisible Woman in the
Fantastic Four. Douglas Wolk observes that the wedding is the most well-known moment in Hudlin's run, and contends that the "mutual admiration leading to matrimony seemed to come out of nowhere," that neither have much in common "besides being superheroes with somewhat formal speech patterns and connections to Africa and divinity," and that while "one is a champion of a cross-sectional group, the other is a monarch of a physical nation." Hudlin responded to such criticisms in a 2010 interview, declaring that the wedding was set up for months by two different storylines and that the two characters are perfectly matched. In Hudlin's series, the Dora Milaje are a clearly military organization, with shaven heads, rather than the attractive teenage girls previously established by Priest. In addition, Hudlin established T'Challa's complex friendship with
Luke Cage, another prominent Black superhero created several years after Black Panther. While T'Challa is from an African nation that was never colonized, Cage is a street-level New York superhero of a vastly different culture. Hudlin explores these differences in the interactions between the two heroes. Like Priest, Hudlin emphasizes Black Panther's power and independence; as he puts it, T'Challa is "an INTERNATIONAL player who's equally at home at the
Davos Conference in Switzerland, meeting with
Colin Powell in D.C., kicking it in Harlem with
Bill Clinton and
Al Sharpton, and brokering deals off the coast of Cuba with
Fidel Castro and Prince
Namor." In 2008,
Jason Aaron concluded the fourth volume of
Black Panther with a war story about battling a
Skrull invasion of Wakanda, tying in with Marvel's
Secret Invasion event.
Black Panther vol. 5 launched in February 2009, with Hudlin, again scripting, introducing a successor Black Panther, T'Challa's sister Shuri. Hudlin co-wrote issue #7 with
Jonathan Maberry, who then became the new writer.
2010s Both T'Challa and Shuri fight
Doctor Doom, alongside members of the Fantastic Four and the X-Men, in the six-issue miniseries
Doomwar (April – September 2010).
Doomwar introduces the Midnight Angels, an armored division of the Dora Milaje. In this period, T'Challa has given up his powers and has been replaced by his sister. At the conclusion of the story, Doom steals Wakanda's supply of vibranium, and T'Challa destroys all of it in response. T'Challa then accepts an invitation from Matt Murdock, the superhero
Daredevil, to become the new protector of New York City's
Hell's Kitchen neighborhood. Under writer
David Liss and artist
Francesco Francavilla, he became the lead character in
Daredevil beginning with issue #513 (February 2011); the series was retitled
Black Panther: The Man Without Fear. He takes on the identity of Mr. Okonkwo, an immigrant from the
Democratic Republic of the Congo, and becomes the owner of a small diner to be close to the people. He fights street crime and various enemies of Daredevil, in this case relying on his own athletic ability and without the traditional Black Panther powers and Wakandan technology. He also confronts a new version of the
Hate-Monger, a Silver Age emblem of bigotry who represents contemporary racist and anti-immigrant ideology. In
Fantastic Four #608, written by
Jonathan Hickman, T'Challa again meets the Panther god
Bast. Bast reveals that catastrophe will come to Wakanda and that T'Challa will need to be reborn as a new Black Panther. His restored powers exceed his previous strength, and he is also given the collective memories of all the previous Black Panthers. Black Panther then takes part in the
Avengers vs. X-Men event. As a result of this conflict, his marriage to Storm is annulled. For three years, beginning in 2013, Black Panther did not have in his own solo title but instead appeared as one of the primary members of
New Avengers, written by Jonathan Hickman. Hickman later recalled that this was a conscious cross-media marketing plan to lead toward a relaunch of
Black Panther coinciding with the feature film. In this series, Black Panther works together with a secret team of the most powerful heroes, the Illuminati. He often finds himself torn between the needs of his particular nation and more global concerns. In particular, he has a mortal conflict with
Namor, who is responsible for a bloody invasion of Wakanda. Black Panther then joins
The Ultimates, written by
Al Ewing. The group battles
Galactus. wrote a number of best-selling Black Panther series in the 2010s. A new
Black Panther series written by
Ta-Nehisi Coates and drawn by
Brian Stelfreeze was launched in 2016. Marvel intended the series to respond to contemporary
social justice concerns. Coates was previously a correspondent for
The Atlantic and won the
National Book Award for his essay
Between the World and Me. As Todd Steven Burroughs writes, "The announcement that Ta-Nehisi Coates––the writer whom
Toni Morrison called the heir to novelist and essayist
James Baldwin––was going to write a new, ongoing
Black Panther title shook both the Marvel Universe and café society." In Coates's first storyline, titled
A Nation Under Our Feet, T'Challa faces a popular uprising against his monarchy. At the conclusion of the story, Wakanda is reformed into a constitutional democracy, with the Black Panther continuing as a figurehead king rather than a ruler. This series introduces a new version of
The Crew, now including Storm, Luke Cage,
Misty Knight, and
Manifold. According to
Diamond Comic Distributors,
Black Panther (2016) #1 was the best-selling comic book in April 2016, while #2 was the 9th best-selling comic book in May 2016. Critic Todd Steven Burroughs characterizes the story as "ultra-cerebral", and suggests that some of the previous authors of the character may have found it pretentious. He interprets the story as a fascinating
deconstruction of Wakanda that removes "what [Coates] might call the intellectual crutch of
Black nationalism" from the mythos of Black Panther. In Coates' second storyline,
Avengers of the New World, Wakanda's mythology was expanded, showing the panther goddess Bast as a member of a pantheon known as the
Orisha. Coates also wrote a six-issue series called
Black Panther and the Crew that addresses the problem of
police killings and also suggests that the Marvel universe includes a number of previously unknown superheroes from the
Bandung Conference. Coates also co-wrote a new series called
Black Panther: World of Wakanda together with
Roxane Gay that detailed more about the Dora Milaje. In 2017, the
Africanfuturist writer
Nnedi Okorafor wrote the series
Black Panther: Long Live the King. In February 2018, Christopher Priest, Don McGregor, and Reginald Hudlin each contributed one story to the
Black Panther Annual #1. In spring 2018, Coates wrote a new Black Panther series; titled
The Intergalactic Empire of Wakanda, this is a
space opera. According to
Diamond Comic Distributors,
Black Panther (2018) #1 was the fifth best-selling comic book in May 2018.
2020s In 2021,
John Ridley wrote a new five-issue Black Panther series. According to
Diamond Comic Distributors,
Black Panther (2021) #1 was the 10th best-selling comic book in November 2021. Hannibal Tabu of
Bleeding Cool gave
Black Panther (2021) #1 a grade of 8.5 out of 10, saying, "T'Challa's secret balances both the old ways of Wakanda as personified by the White Wolf and the modern egalitarian Wakanda he's trying to build. Then there's the visual storytelling from Juann Cabal, Federico Blee, and Joe Sabino, which will tickle the fancy of fans of, well, any Marvel project featuring Sebastian Stan, basically. They feature a great Avengers fight scene (that also mixes in wonderful character work) with a gorgeous view of an evolving Wakanda." Tim Adams of
ComicBook.com gave
Black Panther #1 a grade of 4 out of 5, saying, "Marvel's new era of Black Panther gets off to a captivating start. Whereas the previous volume by Ta-Nehisi Coates and Daniel Acuna primarily took place in the stars, John Ridley, Juann Cabal, and Federico Blue deliver the beginnings of an espionage tale. Marvel Stormbreaker artist Juann Cabal is quickly rising as a superstar artist after fan-favorite runs on X-23 and Guardians of the Galaxy." Stephanie Williams and Paco Medina produced the five-issue limited series
Wakanda (October 2022-February 2023), with a backup series titled
History of the Black Panthers, written by
Evan Narcisse and illustrated by Natacha Bustos.
Bryan Edward Hill and Alberto Foche created the one-shot
Black Panther: Unconquered (November 2022). In January 2023, a new
Black Panther series was announced, written by
Eve Ewing and illustrated by Chris Allen. According to the ComicHub system at local comic book shops selling American comics,
Black Panther (2023) #1 was the 11th best-selling comic book in June 2023. Hannah Rose of
Comic Book Resources wrote, "
Black Panther #1 is a subtle and humane study of a changing character and shifting fictional landscape. Although a slow burn in turns of action, and offers questions with no easy answers, this issue is worth checking out precisely for those reasons." In 2024, Bryan Edward Hill wrote
Ultimate Black Panther with art by Stefano Caselli, which takes place in an alternate continuity from the mainstream Marvel universe. The comic is about Black Panther defending the continent of Africa from the deities
Khonshu and Ra. Hill said "I was invigorated by this opportunity because in addition to my immense respect for
Jonathan Hickman's detailed storytelling, the idea of shepherding this bold new take on Black Panther in this event gives me a platform to do the kind of broad, epic, storytelling I've always wanted to do in comics. My influences range from the history of Black Panther comics, to Ryan Coogler's incredible work with the recent films, to
Frank Herbert's world-building capacity of
Dune." ==Characterization==