Box office The film was a modest box office success, grossing $8,279,042.
The Baltimore Sun critic Lou Cedrone praised the film for favoring suspense over violence, and deemed it "relatively respectable" compared to Craven's previous films.
Janet Maslin of
The New York Times praised Craven's direction, writing that he "has a flair for scaring his audience and an even more useful talent for making his characters comfortable and believable, even under the weirdest circumstances. The performances here are restrained and plausible, even from Mr. Borgnine, who appears in a long beard and a black hat playing someone called Isaiah." Linda Gross of the
Los Angeles Times praised the film's themes and religious commentary, editing, music, and cinematography, but faulted it for its "hallucinatory, spaced-out" tone.
Time Out wrote, "
Deadly Blessing isn't a very good movie, but it holds out distinct promise that Craven will soon be in the front rank of horror filmmakers", calling it "an excellent example of a mundane project elevated into quite a palatable genre movie by its director."
Accolades Themes Film scholars and Craven biographers have noted that
Deadly Blessing is one of his few films that explores explicit religious themes. Its theme of religious fundamentalism was partly drawn from Craven's own strict Christian upbringing. The film's final sequence, which features the supernatural incubus entity making an appearance, is noted by Craven biographer
John Wooley: "With a hard-edged religion-based intolerance on display throughout
Deadly Blessing, it's not surprising that some reviewers and critics were uncomfortable with the final scene of the picture, which allows a double-whammy denouement that not only reveals a gender surprise, but also suggests that the deeply unlikeable Isaiah and his hellfire-and-brimstone pronouncements were actually on the right track." In her review of the film upon its theatrical release,
The New York Times critic Janet Maslin commented that the film "ought to fascinate students of horror-film morality, because its notions of sin and retribution are so out of the ordinary... This movie also reveals an odd perception of sexual mores. One character's chief transgression appears to have been getting married; another character is punished for not wanting to marry. And the most promiscuous looking person in the story emerges perfectly unscathed at its conclusion." == References ==