Critical response The film received mixed reviews from mainstream media critics, as well as from smaller publications. Sheffer and Lee's performances were harshly criticized by
The New York Times critic,
Stephen Holden, who stated that "If the cast deserves at least half a gold star for pretending to take this stuff seriously, neither Mr. Sheffer nor Ms. Lee are able to make their yuppie characters likable".
Richard von Busack gave a similar opinion regarding Lee's acting, stating that "Almost useless as either erotica or therapy, Bliss squanders Lee. As good as she is as a vengeful girl, she's still awfully soppy as a weeper." At the same time both Lee and Sheffer were praised as extraordinarily layered, powerful, physical and fearless, by Jeffrey M. Anderson of Combustible Celluloid.
Terence Stamp was unanimously considered to be well-suited in the run-of-the-mill role of the therapist. Moving away from the quality of the acting itself,
Kevin Thomas of
Los Angeles Times believed the film failed primarily due to Young's writing and direction. One of his major criticisms was that information about Maria's character is mentioned by the other leading characters instead of the viewer discovering it through the film's plot. Another point Thomas raises is the fact that there is considerable imbalance on the level of graphic depiction of sex scenes based on gender participation. Even though the film has extensive sex scenes involving a female character (Maria) and a male character (Joseph), he pointed out that it became conservative when it came to equivalent scenes between two male characters (Joseph and Baltazar). What critics agreed on was that the film has a plethora of
erotic scenes, so much so that it could be mistaken for educational or academic manual about sex. Despite varying opinions on the film overall, it was generally acknowledged by critics that the topic addressed in the film is very important. On the
review aggregator website
Rotten Tomatoes, 50% of 14 critics' reviews are positive.
Box office The film screened on the weekend of June 6–8 in the United States, making $54,547 in that first weekend of its release. Ultimately, it grossed $294,064. == Controversy ==