The first release on the Blue Beat label was "Boogie Rock" by
Laurel Aitken, which was licensed from Dada Tewari's Downbeat label. The Blue Beat label's distinctive blue covers and silver logo first appeared with the label's third release, "Manny Oh" by
Higgs and
Wilson. Prince Buster became the Blue Beat label's biggest star, with songs such as "
Al Capone". Siggy Jackson established a Blue Beat night at the
Marquee Club in London, and fashion accessories featuring the Blue Beat label's logo became popular. Many records on the Blue Beat label were played alongside
soul music in dance clubs such as the
Twisted Wheel in Manchester. In addition to appealing greatly to the
West Indian community in the UK, the music became associated with the British
mods of the early to mid-1960s, as well as the
skinheads of the late 1960s. In the late 1960s and early 1970s, records on the Blue Beat label became highly collectable among those who regarded records like Prince Buster's "Al Capone" as classics. When the ska rhythm slowed to
rocksteady around 1966, Melodisc started a new sub-label, Fab, and the Blue Beat label stopped issuing new releases after 1967 (although the back catalogue continued to sell for several years). Jackson left to work for
EMI, where he founded the Columbia Blue Beat label. The Blue Beat label was revived in 1972 for a short run of obscure releases including
John Holt's "Ok Fred" and "Sad News" singles. as well as reissues of some of the popular classics from Prince Buster's catalogue such as Al Capone and Ten Commandments Of Man. Later in the decade some of these tunes were once again reissued in 12" single format to supply the new younger audience that emerged from the 2-Tone generation. ==1980s and 1990s==