Boeing Galleries

Lying between Lake Michigan to the east and the Loop to the west, Grant Park has been Chicago's front yard since the mid 19th century. Its northwest corner, north of Monroe Street and the Art Institute, east of Michigan Avenue, south of Randolph Street, and west of Columbus Drive, had been Illinois Central rail yards and parking lots until 1997, when it was made available for development by the city as Millennium Park. Today, Millennium Park trails only Navy Pier as a Chicago tourist attraction. The city sought Boeing's financial support in the form of a $6 million donation. The purpose of the eventual $5 million donation was to fund a space for use as open-air gallery spaces to accommodate regular exhibitions of both visual arts and sculpture. The exhibitions primarily occur in the spring and summer months. Boeing also previously funded the Family Album photograph exhibition that debuted in Millennium Park during its opening weekend. The galleries were constructed between March and June 2005. The south gallery is () and the north is (). The galleries are surrounded by sycamore trees, which are very rare in Chicago. The north and south galleries are physically separated by Grainger Plaza, which hosts Cloud Gate (The Bean). == Exhibitions ==

Past exhibitions ;2005 The first exhibition in the renamed Galleries was Revealing Chicago: An Aerial Portrait, which was displayed on the Central Chase Promenade and South Boeing Gallery, appeared from June 10 – October 10, 2005. The exhibit featured 100 images from Chicago metropolitan area taken on 50 flights that occurred between March 2003 and August 2004 at various seasons of the year. At the time of the installation of the exhibition, the North Boeing Gallery was not complete so the exhibition partially took place on the Central Chase Promenade. ;2006 in South Boeing Gallery (2008-06-02)|upright The galleries hosted In Search of Paradise: Great Gardens of the World from May 12 – October 22, 2006. The opening was delayed a week. This exhibition was developed by the Chicago Botanic Garden and included 65 photomurals of gardens from 21 countries including Lurie Garden. All of the photographs were less than five years old. The exhibition was curated by Penelope Hobhouse and presented by the Chicago Department of Cultural Affairs, Millennium Park with support from The Boeing Company and the Richard H. Driehaus Foundation. The photographs were formatted at . The production schedule for the photomural formatted photography used was longer than expected, which led to the week-long delay in opening the exhibition. The exhibit provided viewers with an appreciation for the landscape design, aesthetics and the horticulture of gardens. ;2007–2008 's Orion (2007, left) and Johnny Appleseed (1993, right)|thumb|right|upright The gallery hosted Mark di Suvero, whose large-scale abstract expressionism sculptures were on display from April 17, 2007 – October 12, 2008. The original duration of the exhibition was supposed to only be until April 1, 2008, but the exhibit was extended through the summer and fall of 2008. It is presented by the Chicago Department of Cultural Affairs, Millennium Park, in cooperation with Millennium Park, Inc., and is sponsored by The Boeing Company with support from the Richard H. Driehaus Foundation. ;2009–2010 The di Suvero exhibit was removed at the end of October 2008. In March 2009, the park announced its plans to install four large-scale contemporary outdoor works by Chinese sculptors in Boeing Galleries from April 9 – October 2010. The exhibition, entitled "A Conversation With Chicago: Contemporary Sculpture From China", complements "The Big World: Recent Art From China" exhibition hosted at the Chicago Cultural Center beginning April 25, 2009 but was conceived independently and is a distinct body of work. Chen Wenling's "Valiant Struggle No. 11", symbolizes Chinese society. The open-work sculpture "Windy City Dinosaur", created by Sui Jianguo stamped with the phrase "Made in China" is a critique on the cheap mass-produced goods that are building the Chinese export economy. "Kowtow Pump", is a caricature of the oil rigs by Shen Shaomin that will have limited Thursday active display times from June 11 through Aug. 27. Zhan Wang's "Jia Shan Shi No. 46" is considered the most abstract and depicts the scholar's rock in stainless steel. This marks the first installation by a female or Latina artist at the Boeing Galleries. It is regarded as Chicago's last event of the "Mexico 2010" citywide yearlong 70-event celebration of the bicentennial of Mexico's independence and the centennial of its Revolution. These are the first sculptures by a Latina artist displayed anywhere in Millennium Park. The exhibition was three years in the making and preliminary sketches were on display at the Chicago Cultural Center in the fall of 2010. Also, prior to installation the sculptures' maquettes were displayed at the Chicago Cultural Center as a preview of the exhibit. The city describes Domenge's sculptures as unifying perceived opposites and harmonizing apparent dissonances by geometrically referencing the natural world. The Boeing installation's spheres are said to express a type of beauty that pays respect to a larger universal order with reference to biological examples. Domenge stated that she attempts to express the beauty of natures geometric order that it expresses in the molecular structures of flowers and plants. She feels that the spheres on exhibit in the South gallery depict the geometric perfection of the cosmos and that the celebrate this in a "festival of color and form". The exhibition included both old and new works by Kaneko. The old subject matter was work on Dangos and the new work focused on Tanuki. 1004 Portraits In 2009 starting with the tall Dream, Plensa began creating massive head sculptures. On June 18, 2014, four new large head sculpture pieces were added to Millennium Park in celebration of its 10th anniversary. Standing at tall, They came from Barcelona. The fourth and tallest work at , originally titled Looking Into My Dreams and by the time of its Chicago arrival titled Looking Into My Dreams, Awilda (or Awilda for short), was placed on Michigan Avenue facing Madison Avenue. It had been created in 2012 for an installation in Rio de Janeiro's Guanabara Bay and arrived in 15 pieces that were bolted together. Awilda is made of resin, while the others are made of cast iron. Plensa wanted everyone who viewed the sculptures to dream with him and the sculptures. Curated by John Vinci and Hamp Architects, the display features over 58 images of Millennium Park before, during, and after construction, showcasing work done by 16 photographers. Some of the photos document construction of the park while others document its art and architecture, and other photographers used the park as their inspiration for their photographs. == Notes ==