Born Slippy (Nuxx)

"Born Slippy .NUXX" features a "hammering" four-on-the-floor kick drum, distorted vocals, and "heavenly" synthesiser chords. The vocalist, Karl Hyde, wrote the lyrics after a night of drinking in Wardour Street in Soho, London. Hyde was influenced by Lou Reed 1989 album New York, in which "Reed sounds like he's been sitting in a bar, writing down the conversations he heard", and Sam Shepard's 1983 memoir Motel Chronicles , which comprises vignettes that describe moments and feelings "with no beginning or end". Hyde began taking a notebook and a camera to document his environments. Hyde recorded his vocals in one take. When he lost his place, he would sing the same line repeatedly, creating the line "lager, lager, lager, lager". The producer, Rick Smith, said the lyrics reflected "this energy of movement, and of time and place," likening them to an abstract painting. The lyrics have been misinterpreted as a hedonistic celebration of drinking. Hyde did not intend the song to be a "drinking anthem" but rather a "cry for help", and was disturbed when audience members raised their lager cans during performances. As Hyde wrote the song while drunk, he felt its status as a "drinking anthem" was ironic. ==Release==

Underworld released "Born Slippy .NUXX" in the UK on 1 May 1995 as the B-side to a different track, "Born Slippy". "Born Slippy .NUXX" was used in the film Trainspotting, released in February 1996 in the UK. Boosted by the Trainspotting soundtrack, For the 2017 film T2 Trainspotting, Smith created a new version with timestretched chords, "Slow Slippy". ==Reception==

Melody Maker named "Born Slippy .NUXX" the single of the year in December 1996, writing: "As a stomping club anthem, it whipped up a Shamanic, hedonistic frenzy — yet the lyrics, culminating in the "Lager, lager, lager, mega-mega-white thing" chant nailed everything about the Loaded, lads, birds 'n'booze culture of the mid-Nineties." Music Week gave it five out of five in 1996, calling it "an anthem for a generation". The singer Boy George reviewed the "Nuxx Mix" for Select, calling it "brilliant" and writing: "Nice lyrics in a ranting, punky style. I like techno records that swoop." AllMusic wrote that it was "simply one of the best slices of electronica one will find. Musically austere in its emotional textures, the song becomes a nearly unstoppable force ... Dance music is rarely so artistic and enjoyable in the same instance." In 2017, Vice described "Born Slippy .NUXX" as one of the most iconic 1990s songs, and in 2011 Slant Magazine named it the 95th-best single of the decade. In 2014, NME named it the 261st-greatest song. In 2010, Pitchfork named it the 31st-best track of the 1990s, and in 2022 they named it the 20th-best. In 2015, LA Weekly ranked it the sixth-best dance track in history. The Guardian named it the "most experimental and sonically extreme hit of the 90s", alongside the Chemical Brothers' 1996 single "Setting Sun", In 2024, the ''Guardian's chief music critic, Alexis Petridis, named "Born Slippy .NUXX" the third-best Underworld song. and in 2025 Billboard'' named it the eighth-best. Smith said in 2017 "We’ve been playing 'Born Slippy' live for 20 years, and the reaction from the audience is so strong it's almost overwhelming. It's never got tiring to perform or play. It's what it triggers in people." ==Track listing==

Durations vary across releases. 1995 UK 12" single • "Born Slippy" – 8:57 • "Born Slippy .NUXX" – 11:37 1995 CD single • "Born Slippy" – 8:30 • "Born Slippy .NUXX" – 9:44 • "Born Slippy .TELEMATIC" – 9:39 1996 US CD single • "Born Slippy .NUXX" – 11:37 • "Born Slippy .NUXX" (Deep Pan) – 9:59 • "Born Slippy .NUXX" (Darren Price Mix) – 6:31 • "Born Slippy .NUXX" (Darren Price Remix) – 8:11 • "Born Slippy .NUXX" (Short) – 4:23 • "Dark & Long" (Dark Train) – 10:24 • "Banstyle" (Alex Reece Mix) – 5:38 ==Charts==

Weekly charts Year-end charts ==Certifications==

"Born Slippy .NUXX 2003" is a version of "Born Slippy .NUXX" re-released by Underworld to promote the album 1992–2002, originally released in 2003. New remixes were commissioned for this release, along with a new video, compiled by Danny Boyle of clips from his film Trainspotting. This release reached No. 1 on the UK Dance Singles Chart during the first week of November 2003. Track listings Charts ==References==