Borso's court was the center of the so-called
Ferrarese school of painting, whose members include
Francesco del Cossa,
Ercole dei Roberti and
Cosimo Tura. Their most important commission during Borso's rule were the frescoes in the
Palazzo Schifanoia and the
Borso D'Este Bible. A man of little education (unlike his brother Leonello), he had a pragmatic view of the arts as a powerful propaganda tool to promote his political ambitions by projecting an image of personal
magnificence. He liked to portray himself as an ideal ruler, as for example in the frescoes in Palazzo Schifanoia. His
personal Bible (commissioned in 1455) is one of the most magnificent
illuminated manuscripts of Renaissance Italy and a fabulously costly work of art; however, its principal illuminator,
Taddeo Crivelli, appears to have pawned parts of other manuscripts he was working on to alleviate financial instability. Borso never married and left no heirs. His successor was his half-brother
Ercole I d'Este. ==Notes==