The earliest brass chamber music was written in the mid to late 1800s and coincided with the invention of brass instruments that could play
chromatically. The
Distin family formed one of the first brass quintets in 1833, touring Europe and the United States to promote a new family of brass instruments called
saxhorns. In Paris, composers began creating chamber music as groups of amateur brass musicians began to form. One example of these early works from Paris was a series of twelve brass quintets composed in 1850 by
Jean-François Bellon. The instrumentation of these early brass chamber works varied, but frequently included some combination of
cornet,
horn,
trombone, and
ophicleide. Early brass chamber music also developed in Russia due to the patronage of
Alexander III, who was a cornet player and frequently hosted performances of brass chamber music in the palace. German musicians living in Russia played a prominent role in composing and performing brass chamber music during this period. Cornet soloist
Wilhelm Wurm served as Alexander III's private cornet instructor, organized the first brass ensemble concert in the court in 1867, and composed seventy-six brass quartets. Other prominent early brass chamber music pieces include 6 brass quartets by
Wilhelm Ramsøe, 13 brass quintets by
Ludwig Wilhelm Maurer (published 1881), two brass quartets by
Vassily Brandt, and a brass sextet by
Oskar Böhme (1907). The Russian composer
Victor Ewald composed four brass quintets between 1888 and 1912, which remain some of the most frequently performed pieces in the brass quintet repertoire. Brass septets were a common performing ensemble in Finland and Sweden at the turn of the twentieth century.
Jean Sibelius composed
several pieces for the ensemble, including "Tiera" in 1898. In the late 19th and early 20th centuries, the size and instrumentation of brass chamber music were still not standardized. While some compositions for brass quintet were written during this period, brass quartets were more prevalent. Beginning in the 1870s, German cornet soloists
Julius Kosleck and
Theodor Hoch, as well as a growing number of professional musicians, toured the United States promoting brass quartet music, while the music publisher
Carl Fischer encouraged and disseminated compositions and arrangements of music for brass quartets.
Robert King, a Boston-based euphonium player, started his own publishing company in 1940 with the goal of increasing the stature of the brass quartet to be equal to that of the string quartet. He soon expanded to publish and promote brass chamber music of varying sizes and instrumentation, and was a primary source for brass chamber music until he retired in 1991. In 1951, British trumpet player
Philip Jones formed the
Philip Jones Brass Ensemble as a brass quartet, touring extensively and promoting brass chamber music. == Development of the modern brass quintet ==