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Breton lai

A Breton lai, also known as a narrative lay or simply a lay, is a form of medieval French and English romance literature. Lais are short, rhymed tales of love and chivalry, often involving supernatural and fairy-world Celtic motifs. The word "lay" or "lai" is thought to be derived from the Old High German and/or Old Middle German leich, which means play, melody, or song, or possibly derived from the Irish word laoi meaning "song".

Old French lais
The Lais of Marie de France — twelve canonical lais generally accepted as those of Marie de France. • The so-called Anonymous Lais — eleven lais of disputed authorship. While these lais are occasionally interspersed with the Marian lais in Medieval manuscripts, scholars do not agree that these lais were actually written by Marie. • Several lais are known only in Old Norse translation. Marie's lais were translated into Old Norwegian prose in the thirteenth century under the title Strengleikar. These are Guruns ljóð, Ricar hinn gamli, Tveggia elskanda strengleikr, and Strandarljóð (the 'Lay of the Beach', composed by 'the Red Lady of Brittany', the surviving account of which gives a detailed description of William the Conqueror's commissioning of what appears to be a lyric lai to commemorate a period spent at Barfleur). • The Old Norse prose Möttuls saga and Middle High German verse are considered adaptations of the Lai du cort mantel, whose author may have been familiar with the Lai du cor. ==Middle English lais==
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