He was first recognized for the online game intervention and anti-war protest
Velvet-Strike, made with artist
Anne Marie Schleiner, and most notably exhibited at the 2004
Whitney Biennial. In 2003, with the LA collective C-level, he developed a controversial "documentary computer game" based on the
Waco siege. Condon continued to create self-playing software and related work until 2008 that "locates the confluence between the pursuit of body transcendence in 1970's performance... with computer and live roleplaying games." Condon's work is notable for its early use of
Nordic LARP techniques to create immersive role-playing events in an art context that explore “the permeable nature of self, the social dimensions of creativity and the potential of the individual to access alternate states of being.” Notable performances include
Case, based on William Gibson's cyberpunk classic Neuromancer at the
New Museum of Contemporary Art, and
Level Five, a larp based on historic
Large Group Awareness Trainings at the Hammer Museum and the 9th Berlin Biennale. From 2012 to 2016 he collaborated with the Scottish artist
Christine Borland on 'Circles of Focus', a research based project exploring human body donation, Neolithic ceramic production, and 18th century physics experiments. In 2019 he created the cover art and music videos for the record
Gallipoli by
Beirut (band), using group encounter techniques he developed to assist in the visualization of band leader and cousin Zach Condon's internal states. ==Selected Collections==