Roger Ebert of the
Chicago Sun-Times gave it three stars out of four, saying "What makes the movie special is the way both lead actors find the right quiet notes for their performances." Leonard Klady of
Variety wrote "A vivid, embracing tale of life on the edge,
Broken Vessels is an assured first feature with potent commercial appeal. Focused on a pair of paramedics behind the wheel of an ambulance, the film skillfully careens through the incidental and dark humor of their lives and plows forward into the bleak personal terrain that comes with the job. One of the few genuine artistic hits of the L.A. Indie Fest (the film received the fest's best picture prize),
Vessels has sufficient high- octane quality to overcome the noisy, overcrowded specialized scene and carve out a respectable theatrical niche. At the center of
Broken Vessels are two exceptionally compelling performances by Field and London. Despite the outward flashiness of Jimmy, Field does nothing to pump up his role; it's wonderfully nuanced work in which the most modest changes in shading wind up resonating as his dance on the edge of sanity and the law becomes complex and precarious. London works his boyish persona for all its worth and his slide from cute to sinister occurs with brilliant ease."
Kevin Thomas of the
Los Angeles Times wrote "Movies don't get much more corrosive or gripping than Scott Ziehl's high-energy first feature,
Broken Vessels. The actors, including the ever-reliable William Smith in a cameo, are all on the money in their portrayals in exceptionally well-drawn roles, crackling with pungent dialogue. In major, demanding roles London and Field are especially impressive.
Broken Vessels could take Ziehl far. It has that kind of kinetic energy that fuses style and theme, as Tom and Jimmy careen through L.A. streets both in answer to emergency calls and in pursuit of a fix." ==Awards and nominations==