Bruce Crane began to then study at New York's
Arts Student League and in 1876 he was featured for the first time in an exhibit at the
National academy of design, submitting his painting called "Old Swedish Church, Philadelphia." In his promotional book
A Souvenir of Cranford (1894), the architect and artist
Frank Townsend Lent discusses Crane's depictions of the
Rahway River in
Cranford, New Jersey: The first the writer ever heard of
Cranford was back in 1880, when his artist friend Bruce Crane told him that he was packing up his sketching apparatus and impedimentia preparatory to going to sketch in the neighborhood of Cranford, which he considered one of the most delightfully picturesque sections of country anywhere around or near New York City. The
National Academy of Design, as well as other metropolitan art exhibitions, have contained many charming landscapes by such men as Bruce Crane and
Hugh Bolton Jones, the material for which was gathered in
Union County." Crane soon began to paint locations of East Hampton and Long Island, which brought him praise and critical approval (as well as a steady income.) One unnamed critic stated: Crane had [by 1885] proved to the satisfaction of the art public that he handled one kind of landscape with as much ability as another. (His paintings) were treated as skillfully as his (other works) with numerous variations of the leading motive of tone and color. He then left New York to study in France with
Jean-Charles Cazin, a well known French painter of the 19th century. He experienced success there but things were about to change. == Family crisis ==