Sublett was born in
Louisville, Kentucky, on February 19, 1902, They were so popular that the duo moved to
Manhattan, New York City in September of that year. They played together in the Columbia Theater, the Palace and later played with artists
Al Jolson,
Eddie Cantor and
Danny Kaye. They appeared in
Lew Leslie's Blackbirds in 1930 at the
Royale Theatre. This was followed by performances in the
Ziegfeld Follies of 1931 at the
Ziegfeld Theatre. They also became the first black artists to perform at the
Radio City Music Hall. "Buck and Bubbles" performed live in the
first scheduled 'high definition' (240-line) television program on November 2, 1936, at
Alexandra Palace, London, for the
BBC, becoming the first black artists on television anywhere in the world. Other work on Broadway included the roles of Scipio in
Arthur Schwartz's
Virginia (1937) and Rum in
Oscar Hammerstein II's
Carmen Jones (1946). Though unable to read music, Bubbles was chosen by
George Gershwin to create the role of Sportin' Life in his opera
Porgy and Bess in 1935. Since he didn't understand the music score, Gershwin spent the time to teach it to him as a tap rhythm. Sublett caused some problems because he often made up rhythms which caused confusion with other members of the cast. Sublett performed the role occasionally for the next two decades. In 1920, he gave tap dance lessons to
Fred Astaire, who considered Sublett the finest tap dancer of his generation. In the number "Bojangles of Harlem" from
Swing Time (1936), Astaire dresses in
blackface as the Sportin' Life character and dances in the style of Sublett while ostensibly paying tribute to
Bill Robinson. There has long been a widespread misattribution that Sublett was
Ethel Waters' uncredited dancing partner in the historic film
On with the Show! (1929). However, the pressbook for the film makes it clear that the dancer was Angelus Babe, providing a bio and two photographs. In 2011, Ryan Friedman, supplying no support for his belief that Sublett was the dancer, surmised that "Angelus Babe" was a pseudonym, and published this in a book. The misinformation has multiplied. That Angelus Babe was a real person is shown by a search on the on-line archive of the
Los Angeles Times, where he is mentioned seven times. There is also confirmation in the catalog of the American Film Institute. ==Films==