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Utsuro-bune

Utsuro-bune , also Utsuro-fune and Urobune, was an unknown object that allegedly washed ashore in 1803 in Hitachi province on the eastern coast of Japan. Utsuro means "hollow" and -bune means "boat". Accounts of the incident appear in four texts: Oushuku Zakki (1815), Toen Shōsetsu (1825), Hyōryū Kishū (1835) and Ume-no-chiri (1844).

Historical sources
The best-known versions of the legend are found in four texts: • Oushuku Zakki (鶯宿雑記; Miscellaneous Notes from the Nightingale Inn) written by Komai Norimura around 1815. • , compiled in 1825 by Kyokutei Bakin. The manuscript is today on display at the Mukyū-Kai-Toshokan in Machida (Tokyo Prefecture). • , written in 1835 by an unknown author. It is today on display at the library of Tenri University in Tenri City, Nara Prefecture. • , written in 1844 by Nagahashi Matajirō. It is today on display at the Iwase-Bunko-Toshokan, a private library in Nara City. Toen Shōsetsu contains the most detailed version of the story. == Legend ==
Legend
drawing of the Utsuro-bune by Nagahashi Matajirou (1844). Toen shōsetsu On February 22, 1803, fishermen on the coast of Hitachi Province saw a strange vessel drifting in the sea. They towed the vessel to land and discovered that it was 3.30 metres (10.83 feet) high and 5.45 metres (17.88 feet) wide. Its shape reminded them of a kōro (Japanese incense burner). Its upper part appeared to be made of red-lacquered rosewood, while the lower part was covered with metal plates. The upper part had several windows made of glass or crystal, covered with bars and clogged with some kind of tree resin. The shape of the hollow boat resembled a wooden rice pit. The windows were completely transparent and the baffled fishermen looked inside. The inner side of the utsuro-bune was decorated with texts written in an unknown language. Oddly enough, one of the symbols inside the vessel resembled South Korea's current flag. The fishermen found items inside such as two bed sheets, a bottle filled with 3.6 litres of water, some cake and kneaded meat. Then the fishermen saw a young woman, possibly 18 or 20 years old. Her body size was said to be 1.5 metres (4.92 feet). The woman had red hair and eyebrows, the hair elongated by artificial white extensions. The extensions could have been made of white fur or thin, white-powdered textile streaks. This hairstyle cannot be found in any literature. The skin of the lady was a very pale pink color. She wore long and smooth clothes of unknown fabrics. The woman began speaking, but no one understood her. She did not seem to understand the fishermen either, so no one could ask her about her origin. Although the mysterious woman appeared friendly and courteous, she acted oddly, for she always clutched a rectangular box made of pale material and around 0.6 m (24 in) in size. The woman did not allow anyone to touch the box, no matter how kindly or pressingly the witnesses asked. An old man from the village theorised, that the woman could be a princess of a foreign realm, who married at her homeland. But when she had an affair with a townsman after marriage, it caused a scandal and the lover was killed for punishment. The princess was banned from home, for she enjoyed lots of sympathy, so she escaped the death penalty. Instead, she might have been exposed in that utsuro-bune to leave her to destiny. If this should be correct, the box may contain the head of the woman's deceased lover. In the past, a very similar object with a woman was washed ashore on a close-by beach. During that incident, a small board with a pinned head was found. The content of the box could therefore be the same, which would certainly explain why she protects it so much. It would cost lots of money and time to investigate the woman and her boat. Since it seems to be tradition to expose those boats at sea, the townspeople thought they should bring the woman back to the utsuro-bune and let her drift away. The townspeople were frightened. In a different version, the lady from the hollow boat stays where she landed and grows to old age. The fishermen reassembled the utsuro-bune, placed the woman in it, and set it to drift away into the ocean. From human sight it might be cruel, but it seems to be her predetermined destiny. Ume no chiri On March 24, 1803, at the beach of in the Hitachi province, a strange 'boat' was washed ashore. It reminded the witnesses of a rice cooking pot, around its middle it had a thickened rim. It was also coated with black paint and it had four little windows on four sides. The windows had bars and they were clogged with tree resin. The lower part of the boat was protected by brazen plates which looked to be made of iron of the highest western quality. The height of the boat was 3.33 m (10.83 ft) and its breadth was 5.41 m (17.75 ft). and .The investigation started in 1844, and continued in 1925, and 1962. Other legends concerning utsuro-bune A well known Japanese legend is that of the origin of the Kōno clan of the Iyo Province. In the 7th century, a fisherman named from Gogo island found a 13-year-old girl inside an utsuro-bune drifting at sea. He brought her to land, where she told him that she was the daughter of the Chinese emperor and that she had been forced to flee to escape her stepmother. The fisherman named her ("princess Wake") and raised her, before she married an imperial prince of Iyo province and gave birth to a son named , the ancestor of the Kōno clan. A part of this folktale held that she was responsible for bringing the first silk cocoons to Japan. Princess Wake is still worshiped at the Funakoshi Wakehime Shinto shrine in the village of Funakoshi on Gogo island. Yet another legend that shares a lot of similarities with the story about "Wakehime" is the legend of the "Golden Princess" Konjiki-hime, of which there are several variations. But the common element is that a fisherman finds a girl set adrift in a boat, who explains that she is "a princess from India." She repays the kindness of the fisherman and his wife bestowing on them the secrets of sericulture. == Interpretations ==
Interpretations
drawing of the Utsuro-bune by Kyokutei Bakin (1825). Historical investigations The first historical investigations of the Utsuro-bune incident were conducted in 1844 by Kyokutei Bakin (1767–1848). Kyokutei reports about a book called , written by Kanamori Kinken. The book describes traditional Russian clothes and hairstyles and mentions a popular method to dust hair with white powder. It also mentions that many Russian women have natural red hair and that they wear skirts, similar to that of the lady of the legend. Regarding the characters said to have been written on the Utsuro-bune, the author Hideki Satō observed that they were similar to alchemical symbols. In particular, the third character, "🜣", perfectly matches the symbol for "copper saffron," and he explains that the other characters also correspond to known symbols, such as "🜂" (representing "fire") and "🝨" (representing "immersion"), albeit with some additional elements. Notably, alchemical symbols were also used in Edo-period Japan, as seen in the Rangakusha Shibai Mitate Banzuke ("Cast List of Rangaku Scholars as Kabuki Actors") included in Geikai Yoha Daiisshū, where they appear as crests representing Rangakusha. (see Japanese Wikipedia) Location Dr. Tanaka himself found out that the locations "Haratono-hama" and "Harayadori" are fictitious. He assumes, that in order to make the anecdote sound credible, the author designated the beaches as personal acreages of a Daimyō named Ogasawara Nagashige. This daimyō actually lived during the Edo period, but his acreages were placed at heartland and it seems sure that Ogasawara never had any contact with the fishermen of the Pacific coast. The Ogasawara clan served the famous Tokugawa clan, who held power over the most north-eastern part of Japan until 1868 and their main acreages were placed in the Hitachi province, geographically very close to the eastern beaches. Ufological In ufology, the legend of the Utsuro-bune has been described as an early case of a documented close encounter of the third kind based on the similarities between the drawings of the vessel from the Edo period and 20th-century descriptions of flying saucers. Some ufologists suggest the Utsuro-bune could have been an unidentified submerged object (USO). They note the mysterious symbols which were reportedly found on the object that regularly appear as addenda within the depictions. They are suggested by some to be similar to the symbols reported from the Rendlesham Forest Incident in England. Drawings of odd figures and unknown symbols have also been found in caves. UFO proponents further point to the woman's box, her physical appearance and unusual dress as evidence of off world human visitation. Japanese folklore and culture The box that the woman according to the accounts carried and refused to let anyone else handle or open shares some similarities with the gehobako box carried by wandering miko and itako. These boxes would usually contain magic objects but it’s also believed that in pre-modern times these boxes contained human skulls. This would tie in with one of the eyewitness accounts speculating on the contents of the box that it could "contain the head of the woman’s deceased lover" as they processed the mystery of the woman through their own Japanese cultural lens. Further similarities may be noted as the box resembles the notion of the tamatebako box recorded in the folk-narrative of Urashima Tarō. In the legend, the box is issued to Urashima by the deity Otohime and opening it caused the bearer thereof to age rapidly. Red hair In Japanese culture red hair was connected to demons and European foreigners (red-haired barbarians). The woman's hair being described as red therefore further signifies her "otherness". In 1803, when this incident is said to have taken place, the Dutch were the only European foreigners allowed to enter Japan (in a limited capacity), which meant that Dutch men were allowed to exist on Dejima island, a man-made island which wasn't legally classed as part of Japan for trading purposes with the Dutch. Tanaka nevertheless speculates that the Utsuro-bune might have been a shipwreck of a European vessel and the mysterious woman was a passenger. and that it became tied in with earlier Utsuro-bune legends. In Hokota city, Ibaraki prefecture a playground was built based on the illustration of the Utsuro-bune. Exhibitions In 2017, Mori Art Museum held an exhibition called “The Universe and Art” where visitor could view an Utsuro-bune historical document. (Manjudō, the strange boat drifted ashore on fief of Lord Ogasawara.) The venue also had Swiss manufacturer Sigg to create gift items for them, one of the items being a donburi rice bowl in the shape of the Utsuro-Bune and when you remove the lid you find the figure of the mysterious woman inside. In 2023, an exhibition about the Utsuro-bune called “Fushigi Yuugi Utsuro-bune” (Mysterious world of the Utsuro-bune) was showcased in Mito, Ibaraki Prefecture at the Joyo City History and Folklore Museum. Visitors were able to view historical documents as well as depictions of the Utsuro-bune created by ceramic artists. == References ==
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