James Branch Cabell

Cabell was born into an affluent and well-connected Virginian family, and lived most of his life in Richmond. The first Cabell settled in Virginia in 1664; Cabell's paternal great-grandfather, William H. Cabell, was Governor of the Commonwealth from 1805 to 1808. Cabell County in West Virginia is named after the Governor. James Branch Cabell's grandfather, Robert Gamble Cabell, was a physician; his father, Robert Gamble Cabell II (1847–1922), had an MD, but practiced as a druggist; his mother, Anne Harris (1859–1915), was the daughter of Lieutenant Colonel James R. Branch, of the Army of the Confederate States of America. James was the oldest of three boys—his brothers were Robert Gamble Cabell III (1881–1968) and John Lottier Cabell (1883–1946). His parents separated and were later divorced in 1907. His aunt was the suffragist and educationist Mary-Cooke Branch Munford. Although Cabell's surname is often mispronounced "Ka-BELL", he himself pronounced it "CAB-ble". To remind an editor of the correct pronunciation, Cabell composed this rhyme: "Tell the rabble my name is Cabell." Cabell matriculated at the College of William and Mary in 1894 at the age of fifteen and graduated in June 1898. While an undergraduate, Cabell taught French and Greek at the college. According to his close friend and fellow author Ellen Glasgow, Cabell developed a friendship with a professor at the college which was considered by some to be "too intimate," and as a result Cabell was dismissed, although he was subsequently readmitted and finished his degree. Following his graduation, he worked from 1898 to 1900 as a newspaper reporter in New York City, but returned to Richmond in 1901, where he worked several months on the staff of the Richmond News. In 1958, Cabell died of a cerebral hemorrhage in Richmond and was buried in the graveyard of the Emmanuel Church at Brook Hill. The following year, the remains of Cabell and his first wife were reinterred in Hollywood Cemetery. Significant Cabell collections are housed at various repositories, including Virginia Commonwealth University and the University of Virginia. == Honors ==

In 1970, Virginia Commonwealth University, also located in Richmond, named its main campus library "James Branch Cabell Library" in his honor. In the 1970s, Cabell's personal library and personal papers were moved from his home on Monument Avenue to the James Branch Cabell Library. Consisting of some 3,000 volumes, the collection includes manuscripts; notebooks and scrapbooks; periodicals in which Cabell's essays, reviews and fiction were published; his correspondence with noted writers including H. L. Mencken, Ellen Glasgow, Sinclair Lewis, and Theodore Dreiser; correspondence with family, friends, editors and publishers, newspaper clippings, photographs, periodicals, criticisms, printed material; publishers' agreements; and statements of sales. The collection resides in the Special Collections and Archives department of the library. The VCU undergraduate literary journal at the university is named Poictesme after the fictional province in his cycle Biography of the Life of Manuel. Starting in 2016, VCU began a planned $50 million renovation to expand and modernize James Branch Cabell Library. In 2016, James Branch Cabell Library won the New Landmark Library Award. The Library Journals website provides a virtual walking tour of the new James Branch Cabell Library. == Works ==

of Jurgen, A Comedy of Justice Jurgen Cabell's best-known book, Jurgen, A Comedy of Justice (1919), was the subject of a celebrated obscenity case shortly after its publication. The eponymous hero, who considers himself a "monstrous clever fellow", embarks on a journey through ever more fantastic realms, even to hell and heaven. Everywhere he goes, he winds up seducing the local women, even the Devil's wife. The novel was denounced by the New York Society for the Suppression of Vice; they attempted to bring a prosecution for obscenity. The case went on for two years before Cabell and his publisher, Robert M. McBride, won: the "indecencies" were double entendres that also had a perfectly decent interpretation, though it appeared that what had actually offended the prosecution most was a joke about papal infallibility. The presiding judge, Charles Cooper Nott Jr., wrote in his decision that "... the most that can be said against the book is that certain passages therein may be considered suggestive in a veiled and subtle way of immorality, but such suggestions are delicately conveyed" and that because of Cabell's writing style "it is doubtful if the book could be read or understood at all by more than a very limited number of readers." == Influence ==

Cabell's work was highly regarded by a number of his peers, including Mark Twain, Sinclair Lewis, H. L. Mencken, Joseph Hergesheimer, and Jack Woodford. Although now largely forgotten by the general public, his work was influential on later authors of fantasy fiction. James Blish was a fan of Cabell's works, and for a time edited Kalki, the journal of the Cabell Society. Robert A. Heinlein was greatly inspired by Cabell's boldness, and originally described his own book Stranger in a Strange Land as "a Cabellesque satire". A later work, Job: A Comedy of Justice, derived its title from Jurgen and contains appearances by Jurgen and the Slavic god Koschei. Charles G. Finney's fantasy The Circus of Dr. Lao was influenced by Cabell's work. The Averoigne stories of Clark Ashton Smith are, in background, close to those of Cabell's Poictesme. Jack Vance's Dying Earth books show considerable stylistic resemblances to Cabell; Cugel the Clever in those books bears a strong resemblance, not least in his opinion of himself, to Jurgen. Cabell was also a major influence on Neil Gaiman, acknowledged as such in the rear of Gaiman's novels Stardust and American Gods. Cabell maintained a close and lifelong friendship with well-known Richmond writer Ellen Glasgow, whose house on West Main Street was only a few blocks from Cabell's family home on East Franklin Street. They corresponded extensively between 1923 and Glasgow's death in 1945 and over 200 of their letters survive. Cabell dedicated his 1927 novel Something About Eve to her, and she in turn dedicated her book They Stooped to Folly: A Comedy of Morals (1929) to Cabell. In 1938 Cabell and Glasgow collaborated on a fine press, author's presentation volume titled Of Ellen Glasgow. An Inscribed Portrait. In her autobiography, Glasgow also gave considerable thanks to Cabell for his help in the editing of her Pulitzer Prize-winning book In This Our Life (1941). However, late in their lives, friction developed between the two writers as a result of Cabell's critical 1943 review of Glasgow's novel A Certain Measure. From 1969 through 1972, the Ballantine Adult Fantasy series returned six of Cabell's novels to print, and elevated his profile in the fantasy genre. Today, many more of his works are available from Wildside Press. Cabell's three-character one-act play The Jewel Merchants was used for the libretto of an opera by Louis Cheslock which premiered in 1940. Michael Swanwick published a critical monograph on Cabell's work, which argues for the continued value of a few of Cabell's works—notably Jurgen, The Cream of the Jest, and The Silver Stallion—while acknowledging that some of his writing has dated badly. Swanwick places much of the blame for Cabell's obscurity on Cabell himself, for authorizing the 18-volume Storisende uniform edition of the Biography of the Life of Manuel, including much that was of poor quality and ephemeral. This alienated admirers and scared off potential new readers. "There are, alas, an infinite number of ways for a writer to destroy himself," Swanwick wrote. "James Branch Cabell chose one of the more interesting. Standing at the helm of the single most successful literary career of any fantasist of the twentieth century, he drove the great ship of his career straight and unerringly onto the rocks." Other book-length studies on Cabell were written during the period of his fame by Hugh Walpole, W. A. McNeill, and Carl van Doren. Edmund Wilson tried to rehabilitate his reputation with a long essay in The New Yorker. ==References==