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Caesar (Mercury Theatre)

Caesar is the title of Orson Welles's innovative 1937 adaptation of William Shakespeare's Julius Caesar, a modern-dress bare-stage production that evoked comparison to contemporary Fascist Italy and Nazi Germany. Considered Welles's highest achievement in the theatre, it premiered November 11, 1937, as the first production of the Mercury Theatre, an independent repertory theatre company that presented an acclaimed series of productions on Broadway through 1941.

Production
Breaking with the Federal Theatre Project in 1937, Orson Welles and John Houseman founded their own repertory company, which they called the Mercury Theatre. The name was inspired by the title of the iconoclastic magazine, The American Mercury. The original company included such actors as Joseph Cotten, George Coulouris, Geraldine Fitzgerald, Ruth Ford, Arlene Francis, Martin Gabel, John Hoysradt, Whitford Kane, Norman Lloyd, Vincent Price, Erskine Sanford, Stefan Schnabel and Hiram Sherman. The Mercury Theatre opened November 11, 1937, with Caesar—Welles's modern-dress adaptation of Shakespeare's tragedy Julius Caesar, streamlined into an anti-fascist tour de force that Joseph Cotten later described as "so vigorous, so contemporary that it set Broadway on its ear." The set was completely open with no curtain, and the brick stage walls were painted dark red. Scene changes were achieved by lighting alone. On the stage was a series of risers; squares were cut into one riser at intervals and lights were set beneath it, pointing straight up to evoke the "cathedral of light" at the Nuremberg Rallies. "He staged it like a political melodrama that happened the night before," said Norman Lloyd, who played the role of Cinna the Poet. In a scene that became the fulcrum of the show, Cinna the Poet dies at the hands not of a mob but of a secret police force. Lloyd called it "an extraordinary scene [that] gripped the audience in a way that the show stopped for about three minutes. The audience stopped it with applause." Rehearsals began October 21, 1937. At the end of October, press agent Henry Senber oversaw a ceremony unveiling the new electric sign identifying the theatre as the Mercury. Ticket prices ranged from 55 cents, for seats in the top balcony, to $2.20 for front row orchestra seats. The production moved from the Mercury Theatre to the larger National Theatre on January 24, 1938. (Lucius) and Orson Welles (Brutus) in the tent scene in Caesar (1937) "Caesar was unquestionably Welles's highest achievement in the theatre," wrote critic Richard France. Welles performed with a real dagger, which caught the light dramatically during the assassination scene. Holland collapsed on the stage floor and remained motionless, and in time the cast members realized that he was bleeding profusely. At the end of the scene he was taken by taxi to the hospital. During the month it took Holland to recover, the role of Caesar was played by John Hoysradt. Holland returned to the Caesar cast on May 5, 1938. Cast (George Coulouris) addresses the crowd in Caesar (1937) • Joseph Holland as Julius Caesar are from the production after it moved from the Mercury Theatre to the larger National Theatre in January. File:Caesar-Mercury-2.jpg|Brutus (Orson Welles) File:Caesar-Mercury-1.jpg|Standing over the murdered body of Caesar, Brutus (Orson Welles) is confronted by Marc Antony (George Coulouris) and Cassius (Martin Gabel) File:Caesar-Mercury-3.jpg|Portia (Alice Frost) and Brutus (Orson Welles) ==Reception==
Reception
) and Brutus (Orson Welles) in Caesar (Act I, Scene 2) Unable to attend on opening night, drama critic John Mason Brown asked to review the matinee preview of Caesar—"a troublesome request", wrote producer John Houseman, but one that was granted. At the end of the performance, Brown asked to be taken backstage. "Orson, sitting before his makeup table in his green military greatcoat, looked up in consternation as one of the country's leading drama critics burst into the dressing room and started to tell us such things about the production as we had not hoped to hear even in our most megalomaniacal dreams," Houseman recalled. In his New York Post review, Brown called Caesar "by all odds the most exciting, the most imaginative, the most topical, the most awesome and the most absorbing of the season's new productions. The touch of genius is upon it." ) kneels over the body of Brutus (Orson Welles) at the conclusion of Caesar "Bard Boffola" read Variety. ==Touring production==
Touring production
played Brutus in the national touring production of Caesar, then succeeded Welles in the Broadway production (1938). In financial straits from the outset, the Mercury briefly considered exploiting the sensational success of Caesar by continuing a straight run of the play and setting aside its repertory mission. Instead, the company went into rehearsal with two new productions led the company as Brutus. Houseman wrote that Powers "lacked some of Orson's 'high-souled nobility' but he had sincerity and authority." Also in the cast were Lawrence Fletcher (Caesar), Vincent Donehue (Cinna the Poet), Herbert Ranson and a supporting ensemble of 60. The five-month national tour of Caesar began January 17, 1938, in Providence, Rhode Island. The itinerary included Hartford and New Haven, Connecticut, Boston (Colonial Theatre), Washington, D.C. (National Theatre), Baltimore (Ford's Theater), Philadelphia, Pittsburgh, Chicago (Erlanger Theatre), St. Louis (American Theatre), Madison (Parkway Theatre) and Toronto. Welles flew to Chicago to personally supervise the production. Powers replaced Welles in Caesar at the National Theatre when Heartbreak House got under way. "I remember his Brutus as a good, earnest performance," wrote Arthur Anderson, who played the role of young Lucius, "but he did not have half the pent-up energy or the vocal dynamics in the role as did Orson Welles." ==Original cast recording==
Original cast recording
In March 1938, With incidental music by Marc Blitzstein, the recording features Orson Welles (Brutus), Joseph Holland (Caesar), George Coulouris (Marcus Antonius), Martin Gabel (Cassius), Hiram Sherman (Casca), John Hoyt (Decius Brutus), and John A. Willard (Trebonius, Volumnius). It is also available at the Internet Archive. ==Cultural references==
Cultural references
Cinna the Poet (1959), a painting by Jacob Landau created 20 years after the pivotal scene in Caesar was performed, is in the collection of the Museum of Modern Art. Richard Linklater's 2008 film Me and Orson Welles is a romantic comedy set during the days before the opening of Caesar at the Mercury Theatre. Christian McKay received numerous accolades for his portrayal of Welles, and Me and Orson Welles was named one of the top ten independent films of 2009 by the National Board of Review. Wall Street Journal drama critic Terry Teachout reserved special praise for the film's recreation of Caesar: "What makes Me and Orson Welles uniquely interesting to scholars of American drama is that Mr. Linklater's design team found the Gaiety Theatre on the Isle of Man. This house closely resembles the old Comedy Theatre on 41st Street, which was torn down five years after Julius Caesar opened there. Using Samuel Leve's original designs, they reconstructed the set for Julius Caesar on the Gaiety's stage. Then Mr. Linklater filmed some 15 minutes' worth of scenes from the play, lit according to Jean Rosenthal's plot, accompanied by Marc Blitzstein's original incidental music and staged in a style as close to that of the 1937 production as is now possible." Teachout wrote that he "was floored by the verisimilitude of the results". ==References==
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