The museum was inspired by
Ananda Coomaraswamy, who, in conversations with Gautam Sarabhai during the 1940s, suggested the founding of a textile institute in the city of Ahmedabad, a major trading centre of the textile industry of the sub-continent since the fifteenth century. In 1949 Gautam and Gira Sarabhai and the great industrial house of Calico acted founded the Calico Museum of Textiles in Ahmedabad, as the specialist museum in India concerned with both the historical and technical study of Indian handicraft and industrial textiles. Gira established and curated the Calico Museum of Textiles which houses a historic collection of Indian Fabrics. It is also the centre for design knowledge, resources, research and publication. In addition to this, Gira also designed the building. It was built around a courtyard to facilitate contemporary gatherings and functions. It was populated with traditional facades and other carved wood elements dismantled from old residential Gujrati Houses. By the early fifties the museum discovered its original intent, encompassed too large an area and concentrated its energies on the vast and vital field of handicraft textiles, devoting less and less time to industrial fabrics. By the second decade of its existence the museum launched an ambitious publications programme. The programme worked on two series, namely Historical Textiles Of India under the editorship of
John Irwin (1917-1997), then keeper of the Indian Section of the Victoria and Albert Museum; and the second, under the editorial direction of Dr
Alfred Bühler, fümer Director of the Museum Für Volkerkunde Und Schweizerisches Museum Für Volkskunde, Basel, who conducted a Contemporary Textile Craft Survey of India. Inaugurating the museum in 1949,
Jawaharlal Nehru stated, "The early beginnings of civilization are tied up with the manufacture of textiles, and history might well be written with this as the leading motif." And indeed, so well had the Calico Museum of Textiles fulfilled this brief that by 1971 the House of Calico decided that the excellence of the fabric collection and the invaluable research conducted by the publications department were such that the museum should be an independent society. The museum's publications, which have now taken two distinct directions, give some indication of where the next surge of activity will take place. While the number of publications concerned with historical studies continues and increases, the second direction has resulted in research and publication of studies preoccupied with the technical and scientific examinations of textile processes such as looms, dyeing, printing techniques, etc. ==Textile collection==