Almost no records of Cao's early childhood and adulthood have survived.
Redology scholars are still debating Cao's exact date of birth, though he is known to have been around forty to fifty at his death. Cao Xueqin was the son of either Cao Fu or Cao Yong. It is known for certain that Cao Yong's only son was born posthumously in 1715; some Redologists believe this son might be Cao Xueqin. In the clan register (), however, Cao Yong's only son was recorded as a certain Cao Tianyou (). Further complicating matters for Redologists is the fact that neither the names Cao Zhan nor Cao Xueqin—names that his contemporaries knew him by—can be traced in the register. Most of what we know about Cao was passed down from his contemporaries and friends. Cao eventually settled in the countryside west of Beijing, where he lived the larger part of his later years in poverty selling off his paintings. Cao was recorded as an inveterate drinker. Friends and acquaintances recalled an intelligent, highly talented man who spent a decade working diligently on a work that must have been
Dream of the Red Chamber. "Born in the prosperous, finally degenerate." Cao Xueqin's family fate has changed from the status like blooming of flowers to the state of decline, making him deeply experience the sorrow of life and the ruthlessness of the world, and also get rid of the mundanity and narrowness of his original social class. The trend of decadence also brought disillusionment and sentimentality. His tragic experience, his poetic emotion, his spirit of exploration, and his sense of innovation are all cast into "Dream of the Red Chamber". They praised both his stylish paintings, particularly of cliffs and rocks, and originality in
poetry, which they likened to
Li He's. Cao died some time in 1763 or 1764, leaving his novel in a very advanced stage of completion. (At least the first draft had been completed, some pages of the manuscript were lost after being borrowed by friends or relatives.) He was survived by a wife after the death of a son. Cao achieved posthumous fame through his life's work. "
Dream of the Red Chamber" is a vivid recreation of an illustrious family at its height and its subsequent downfall, and the novel was "semi-autobiographical" in nature. A small group of close family and friends appeared to have been transcribing his manuscript when Cao died quite suddenly in 1763–4, apparently out of grief owing to the death of a son.
Manuscript copies of this work—some 80 chapters—had been in circulation in Beijing after Cao's death and these scribal copies soon became prized collector's items. In 1791, Cheng Weiyuan () and
Gao E, who claimed to have access to Cao's working papers, edited and published a "complete"
120-chapter version. This was its first
woodblock print edition. Reprinted a year later with more revisions, this 120-chapter edition is the novel's most printed version. Many modern scholars question the authorship of the last 40 chapters of the novel, whether it was actually completed by Cao Xueqin. == See also ==