Harold C. Schonberg of
The New York Times panned the film as a "fake epic," adding. "It has a fabricated plot, based on the James Michener novel, it has bad acting, it has unbelievably inane dialogue, and it has every cliché in the books, including an ending with the caravan silhouetted against the sunset. Even so reliable an actor as Anthony Quinn looks idiotic; he displays his macho by grunts and muttering, and occasionally there is a peculiar look on his face that suggests what he really thinks of all this nonsense."
Variety wrote, "The main trouble with 'Caravans' isn't the Iranians, it's Hollywood. Almost every fake moment in the film, and there are lots of them, has the touch of Hollywood laid on with a heavy coating. Take away the Americans, of course, and you wouldn't have such a slick film, but you might have a more honest one."
Roger Ebert of the
Chicago Sun-Times gave the film 2 stars out of 4 and wrote that it was "slow and obvious, and at the end rather pointless," but "if you're facing a slow Sunday afternoon with a lot of time before the roast is done, 'Caravans' could, in its own way, be fun."
Gene Siskel of the
Chicago Tribune gave the film 1 star out of 4 and called it "a thoroughly laughable desert adventure" with the relationship between Quinn and O'Neill getting "short shrift" and the movie lacking "an action scene of any merit. Only at the very end is there a battle of sorts. But director James Fargo ... shoots these scenes in boring medium shots. They are as exciting as if they had been shot with models in a sandbox."
Kevin Thomas of the
Los Angeles Times called the film "a stirring romantic epic on a grand scale marred by patches of truly terrible dialogue. As a result, despite all that this Universal release has going for it in the way of visual splendor and high adventure, it is likely to be entertaining only for the least discriminating (or most indulgent)." Gary Arnold of
The Washington Post wrote, "'Caravans' will be lucky if it's remembered as an expensive flop ... Ironically, the film's emptiness is magnified by the contrast between its drab, flimsy plot and vast, majestic landscapes. 'Caravans' is too inert to be salvaged by the photogenic advantages of impressive scenery." Tim Pulleine of
The Monthly Film Bulletin wrote that "Ellen's twofold defection remains resolutely undramatised and the gun-running sub-plot is mainly demoted to a few cryptic reference to off-screen action. The movie thus becomes a tiresome exercise in anti-climax." == Soundtrack ==