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Carleton Watkins

Carleton E. Watkins (1829–1916) was an American photographer of the 19th century. Born in New York, he moved to California and quickly became interested in photography. He focused mainly on landscape photography, and Yosemite Valley was a favorite subject of his. His photographs of the valley significantly influenced the United States Congress' decision to preserve it as a National Park.

Early life
Birth Carleton E. Watkins was born on November 11, 1829, the eldest of eight children. His parents were John and Julia Watkins, a carpenter and an innkeeper. Born in Oneonta, New York, he was a hunter and fisherman and was involved in the glee club and Presbyterian Church Choir. His true middle name is the subject of debate: some sources give it as Eugene while others give it as Emmons. San Francisco In 1851, Watkins and his Childhood friend Collis Huntington moved to San Francisco with hopes of finding gold. This would later be helpful for Watkins. ==Career==
Career
Prior to photography During the first two years in San Francisco, Watkins did not work in photography. He originally worked for his friend Huntington, delivering supplies to mining operations. He did this before working as a store clerk at a George Murray's Bookstore, Before his work with Vance, Watkins knew nothing about photography. Vance showed him the basic elements of photography, planning to return and retake the portraits himself. However, when he came back, he found that Watkins had excelled at the art while he was away and his customers were satisfied. Yosemite In July 1861, Watkins made the decision that changed his career: he traveled to Yosemite. He brought his mammoth-plate camera (which used 18×22 inch glass plates) and his stereoscopic camera. The photographs were shown in New York at Goupil Gallery in 1862, and an article in the New York Times stated, "as specimens of the photographic art they are unequalled and reflect great credit upon the producer, Mr. Watkins. The views…are indescribably unique and beautiful. Nothing in the way of landscapes can be more impressive." In 1864, Watkins was hired to make photographs of Yosemite for the California State Geological Survey. When Cook and photographer Isaiah Taber took over Yosemite Art Gallery, they began reproducing his work without giving him credit. The 19th century had no copyright laws covering photographs, and there was nothing Watkins could do to combat this plagiarism. Subsequently, he began recreating the images he lost, calling it the "New Series." ==Personal life==
Personal life
Watkins met Frances Sneed photographing in Virginia City, Nevada. They became romantically involved in 1878 and were married a year later, on Watkins' fiftieth birthday. The couple had two children: a daughter Julia in 1881, and a son Collis in 1883. ==Decline==
Decline
Loss of sight Watkins began to lose his sight in the 1890s. His last commission was from Phoebe Hearst to photograph her Hacienda del Pozo de Verona. Watkins was unable to complete this job because of his failing sight and health. In 1895–96, his lack of work led to an inability to pay rent. The Watkins family lived in an abandoned railroad car for eighteen months. Loss of work Watkins kept the majority of his work in a studio on Market Street. This studio was destroyed in the 1906 San Francisco earthquake and fire, with countless pictures, negatives and the majority of his stereo views. After this horrific loss, he retired to Capay Ranch. Napa State Hospital for the Insane Three years after Watkins retired to Capay Ranch, he was declared incompetent and put into the care of his daughter Julia. She cared for him for a year before committing him to the Napa State Hospital for the Insane in 1910, at which point Frances Watkins began referring to herself as a widow. Watkins died on June 23, 1916, and was buried in an unmarked grave on the hospital grounds. ==Legacy==
Legacy
Yosemite Watkins often photographed Yosemite and had a profound influence over the politicians debating its preservation as a national park. His photographs did more than just capture the national park; he created an icon. Half Dome, for example, did already exist, but Watkins' photographs brought it to people in a way that they could experience it. It became iconic through his photographs, became something people wanted to see in person. His images had a more concrete impact on Yosemite becoming a national park than just encouraging people to visit. It is said that Senator John Conness passed Watkins' photographs around Congress. His photography was also said to have influenced President Abraham Lincoln and was one of the major factors in Lincoln signing the Yosemite Grant in 1864, a bill that declared Yosemite Valley inviolable. The bill paved the way for the 1872 creation of Yellowstone National Park, and the U.S. National Park System in its entirety. Environmentalism The 1864 bill signed by Lincoln is often seen as the beginning of environmentalism in American politics. In accordance with his influence in preserving Yosemite and the beginning of the National Parks system, Watkins is seen as an important part of that. His photographs captured nature in a way that caught the eye of Americans. He created sublime images of wilderness, pristine landscapes untouched by humans. These images established icons that furthered environmentalist ideals, helping to back claims about preservation. ==References==
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