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Ray Barretto

Raymundo "Ray" Barretto Pagán was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga, Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible". His last album for Fania Records, Soy dichoso, was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death in 2006. He is the father of American vocalist and saxophonist Chris Barretto, best known for being the former singer of progressive metal bands Monuments and Periphery.

Life and career
Early years Barretto was born on April 29, 1929, in Brooklyn, New York. His parents moved to New York from Puerto Rico in the early 1920s, looking for a better life. His father left their family when Barretto was four, and his mother Delores moved the family to first Spanish Harlem (El Barrio) on NYC's East Side then at the age of 7 to the Bronx. From a young age he was influenced by his mother's love of music and by the jazz of Duke Ellington and Count Basie. In 1946, when Barretto was 17 years old, he joined the Army. While stationed in Germany, he met Belgian vibraphonist Fats Sadi. However, it was when he heard Dizzy Gillespie's "Manteca" with Gil Fuller and Chano Pozo that he realized his calling. On one occasion Charlie Parker heard Barretto play and invited him to play in his band. Later, he was asked to play for José Curbelo and Tito Puente, for whom he played for four years. It was in 1958, while playing for Puente, that Barretto received his first recording credit. New York had become the center of Latin music in the United States and a musical genre called pachanga was the Latin music craze of the early 1960s. In 1962, Barretto formed his first group, Charanga La Moderna, and recorded his first hit, "El Watusi" for Tico Records. In 1975, he was nominated for a Grammy Award for the album Barretto. From 1976 to 1978, Barretto recorded three albums for Atlantic Records, and was nominated for a Grammy for Tomorrow: Barretto Live. In 1979, he recorded La Cuna for CTI Records and produced a salsa record for Fania, titled Rican/Struction, which was named 1980 "Best Album" by Latin N.Y. Magazine, with Barretto crowned as 'Conga Player of the Year'. In 1999, Barretto was inducted into the International Latin Music Hall of Fame. Barretto lived in Northern New Jersey and was an active musical producer, as well as the leader of a touring band which embarked on tours of the United States, Africa, Europe, Israel and Latin America. Death A resident of Norwood, New Jersey, Barretto died of heart failure and complications of multiple health issues on February 17, 2006, at Hackensack University Medical Center in New Jersey. His body was flown to Puerto Rico, where Barretto was given formal honors by the Institute of Puerto Rican Culture; his remains were cremated. ==Discography==
Discography
As leaderBarretto Para Bailar (Riverside 93531, 1961) • Latino! (Riverside 93520, 1962) • Charanga Moderna (Tico 1087, 1962) • On Fire Again (Encendido Otra Vez) (Tico 1096, 1963) • The Big Hits Latin Style (Tico 1099, 1963) • Moderna De Siempre (Tico 1102, 1963) • Guajira y Guaguancó (Tico 1114, 1964) • Viva Watusi! (United Artists/UA Latino 6445, 1965) • Señor 007 (United Artists/UA Latino 6478, 1965) • El Ray Criollo (United Artists/UA Latino 6543, 1966) • Latino Con Soul (United Artists/UA Latino 6593, 1967) • Acid (Fania 346, 1968) • Hard Hands (Fania 362, 1968) • Together (Fania 378, 1969) • Head Sounds (Fania 388, 1969) compilation • Barretto Power (Fania 391, 1970) • The Message (Fania 403, 1971) • From the Beginning (Fania 410, 1971) compilation • Que Viva La Música (Fania 427, 1972) • The Other Road (Fania 448, 1973) • Indestructible (Fania 456, 1973) • Barretto (Fania 486, 1975) • Tomorrow: Barretto Live (Atlantic SD 2-509, 1976) • Energy to Burn (Fania 505, 1977) compilation • Eye of the Beholder (Atlantic SD 19140, 1977) • Gracias (Fania 528, 1978) • Can You Feel It (Atlantic SD 19198, 1978) • Rican/Struction (Fania 552, 1979) • La Cuna (CTI Records 9002, 1979) • Giant Force (Fania 579, 1980) • Rhythm of Life (Fania 605, 1982) • Todo Se Va Poder (Fania 633, 1984) • Aquí Se Puede (Fania 642, 1987) • Irresistible (Fania 658, 1989) • Handprints (Concord Picante 4473, 1991) • Soy Dichoso (Fania 666, 1992) • Salsa Caliente de Nu York! (Nascente 075, 2001) • Fuerza Gigante (Live in Puerto Rico - April 27, 2001) (Universe UV-118; AJ Records A2K-84744, 2001) • Homage to Art Blakey and the Jazz Messengers (Sunnyside 1105, 2002) • Time Was – Time Is (O+ Music 109, 2005) • Standards Rican-ditioned (Zoho Music 200610, 2006) With New World SpiritAncestral Messages (Concord Picante 4549, 1993) • Taboo (Concord Picante 4601, 1994) • My Summertime (Owl 082; Blue Note 72438 35830 27, 1995) • Contact! (Blue Note 72438 56974 25, 1997) • Portraits in Jazz and Clave (RCA Victor 74321 68452 24, 1999) • Trancedance with James Moody (Circular Moves 7008, 2001) • Hot Hands (Concord Picante 2177, 2003) 2-CD compilation of Ancestral Messages and Taboo As sideman With Gene AmmonsBlue Gene (Prestige, 1958) • Boss Tenor (Prestige, 1960) • Up Tight! (Prestige, 1961) • Boss Soul! (Prestige, 1961) • Twisting the Jug with Joe Newman and Jack McDuff (Prestige, 1961) • Soul Summit Vol. 2 (Prestige, 1962) – rec. 1961 • Late Hour Special (Prestige, 1964) – rec. 1961 • Velvet Soul (Prestige, 1964) – rec. 1961 • Goodbye (Prestige, 1974) With Kenny BurrellBluesy Burrell with Coleman Hawkins (Moodsville, 1962) • Midnight Blue (Blue Note, 1963) • Crash! with Brother Jack McDuff (Prestige, 1963) • Soul Call (Prestige, 1964) • God Bless the Child (CTI, 1971) With Celia Cruz and Adalberto SantiagoTremendo Trío! (Fania 623, 1983) With Celia CruzRitmo En El Corazón (Fania 651, 1988) With Eddie "Lockjaw" DavisBacalao with Shirley Scott (Prestige, 1959) • Afro-Jaws (Riverside, 1960) • Misty with Shirley Scott (Moodsville, 1963) – rec. 1960 • Lock, the Fox (RCA Victor, 1966) With Lou DonaldsonSwing and Soul (Blue Note, 1957) • Blues Walk (Blue Note, 1958) • Light-Foot (Blue Note, 1959) • The Time Is Right (Blue Note, 1959) • Midnight Sun (Blue Note, 1960) • Cole Slaw (Argo, 1964) With Jimmy ForrestMost Much! (Prestige, 1961) • Soul Street (New Jazz, 1962) With Eddie HarrisMean Greens (Atlantic, 1966) • The Electrifying Eddie Harris (Atlantic, 1967) With Yusef Lateef • ''Yusef Lateef's Detroit'' (Atlantic, 1969) • In a Temple Garden (CTI Records, 1979) With Johnny LytleMoon Child (Jazzland, 1962) • The Soulful Rebel (Milestone, 1971) With Herbie MannFlute, Brass, Vibes and Percussion (Verve, 1959) • The Common Ground (Atlantic, 1960) • The Family of Mann (Atlantic, 1961) • Herbie Mann Returns to the Village Gate (Atlantic, 1963) – rec. 1961 • Our Mann Flute (Atlantic, 1966) • The Herbie Mann String Album (Atlantic, 1967) • Glory of Love (A&M/CTI, 1967) • Discothèque (Atlantic, 1975) • Waterbed (Atlantic, 1975) With Johnny "Hammond" SmithTalk That Talk (New Jazz, 1960) • Open House! (Riverside, 1963) With Sonny StittStitt Meets Brother Jack with Jack McDuff (Prestige, 1962) • The Matadors Meet the Bull (Roulette, 1965) With Cal TjaderAlong Comes Cal (Verve, 1967) • Hip Vibrations (Verve, 1967) With othersAverage White Band, Cut the Cake (Atlantic, 1975) • Average White Band, Warmer Communications (Atlantic, 1978) • Bee Gees, Main Course (RSO, 1975) • George Benson, The Other Side of Abbey Road (A&M/CTI, 1970) • Ray Bryant, Dancing the Big Twist (Columbia, 1961) • Arnett Cobb, Party Time (Prestige, 1959) • Billy Cobham, Spectrum (Atlantic, 1973) • Judy Collins, True Stories and Other Dreams (Elektra, 1973) • Crosby, Stills & Nash, CSN (Atlantic, 1977) • Deodato, Prelude (CTI Records, 1972) • Bill Doggett, Doggett Beat for Dancing Feet (King, 1957) • Art Farmer, Listen to Art Farmer and the Orchestra (Mercury, 1963) – rec. 1962 • Cheo Feliciano, With a Little Help for My Friend (Vaya, 1973) • Cheo Feliciano, Felicidades (Vaya, 1973) • Red Garland Trio, Manteca (Prestige, 1958) • Red Garland Trio, Rojo (Prestige, 1961) • Dizzy Gillespie, Carnegie Hall Concert (Verve, 1961) – live • Al Grey, The Al Grey - Billy Mitchell Sextet with Billy Mitchell (Argo, 1962) – live rec. 1961 • Slide Hampton, Jazz with a Twist (Atlantic, 1962) • Jake Holmes, How Much Time (Columbia, 1972) • Willis Jackson, Thunderbird (Prestige, 1962) • Clifford Jordan, Soul Fountain (Vortex, 1970) • Ben E. King, Spanish Harlem (Atco, 1961) • Junior Mance, I Believe to My Soul (Atlantic, 1968) • Jack McDuff, ''Somethin' Slick!'' (Prestige, 1963) • Wes Montgomery, SO Much Guitar! (Riverside, 1961) • Mark Murphy, Rah! (Riverside, 1961) • Oliver Nelson, Impressions of Phaedra (United Artists, 1962) • Tony Orlando and Dawn, ''He Don't Love You (Like I Love You)'' (Elektra, 1975) • Dave Pike, Limbo Carnival (New Jazz, 1962) • Michel Sardaby, Michel Sardaby in New York (Sound Hills, 2002) • Jeremy Steig and Eddie Gómez, Rain Forest (CMP, 1980) • The Tymes, Tymes Up (RCA Victor, 1976) • Julius Watkins, French Horns for My Lady (Philips, 1962) • Weather Report, Mysterious Traveller (Columbia, 1974) • Frank Wess, Southern Comfort (Prestige, 1962) • Charles Williams, Stickball (Mainstream, 1972) • Edgar Winter, ''Edgar Winter's White Trash'' (Epic, 1971) ==See also==
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