The civil war ended in 1939; after the war, Cela became indecisive about his university studies and ended up working in a bureau of textile industries. It was here where he began to write what would become his first novel, (
The Family of Pascual Duarte), which was published when he was 26, in 1942. Pascual Duarte has trouble finding validity in conventional morality and commits a number of crimes, including murders, for which he feels nothing. The novel is of particular importance as it played a large part in shaping the direction of the post-
World War II Spanish novel. Cela became a censor in
Francoist Spain in 1943. Perhaps his best-known work was produced during a period where his own writing came under scrutiny from his fellow censors, including (
The Hive) which was published in Buenos Aires in 1951. It was banned in Spain because of the perceived immorality of its erotic themes, and his name could no longer appear in the printed media. The novel portrays more than 300 characters in a style showing the influence of both Spanish
realism and contemporary English- and French-language authors. Cela's signature style—a sarcastic, often grotesque, form of realism—is epitomized in . Cela remained loyal to Francoist Spain, even working as an informer for the Spanish secret police by reporting on the activities of dissident groups and betraying fellow intellectuals. From the late 1960s, with the publication of
San Camilo, 1936, Cela's work became increasingly experimental. In 1988 he wrote
Christ Versus Arizona (), which tells the story of the
Gunfight at the O.K. Corral in a single sentence that is more than one hundred pages long. In his later years Cela became known for his scandalous outbursts; in an interview with
Mercedes Milá for Spanish state television he boasted of his ability to absorb litres of water via his anus while offering to demonstrate. Cela had already scandalized Spanish society with his (Secret Dictionary, 1969–1971), a dictionary of slang and taboo words. In 1998, Cela expressed discomfort towards the presence of
homosexual groups at the commemoration of
Federico García Lorca's centenary, stating that, "For me, I would prefer a more straightforward and less anecdotal commemoration without the support of gay groups. I have nothing against gays, I just do not take it up the ass". ==Distinctions==